{"id":104999,"date":"2026-09-02T12:52:21","date_gmt":"2026-09-02T03:52:21","guid":{"rendered":"http:\/\/seoulcompetition.com\/en\/?page_id=104999"},"modified":"2026-09-23T18:12:09","modified_gmt":"2026-09-23T09:12:09","slug":"repertoire-2027","status":"publish","type":"page","link":"http:\/\/seoulcompetition.com\/en\/repertoire-2027\/","title":{"rendered":"Repertoire 2027"},"content":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”105011″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ shape_top_color=”color-wayh” shape_top_opacity=”25″ shape_top_index=”0″ row_name=”Welcome” uncode_shortcode_id=”500049″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette” shape_top_color_type=”uncode-palette” row_height_pixel=”120″ shape_dividers=””][vc_column column_width_use_pixel=”yes” position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_font=”font-136269″ text_size=”fontsize-155944″ text_weight=”400″ text_space=”fontspace-781688″ sub_lead=”yes” sub_reduced=”yes” uncode_shortcode_id=”175958″ subheading=”Repertoire”]2027 Piano[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”204748″][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”182837″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”140758″][vc_column_text uncode_shortcode_id=”173268″][FIRST ROUND]<\/strong><\/p>\n

Competitors shall perform a programme of their own choice, lasting a minimum of 25 minutes and a maximum of 30 minutes<\/strong><\/div>\n

[SECOND ROUND]<\/strong><\/p>\n

Competitors shall perform a programme of their own choice, lasting a minimum of 40 minutes and a maximum of 45 minutes<\/strong><\/div>\n

[SEMIFINAL ROUND]<\/strong><\/p>\n

Competitors shall perform a programme of their own choice, lasting a minimum of 55 minutes and a maximum of 60 minutes<\/strong><\/div>\n

[FINAL ROUND]<\/strong><\/p>\n

Competitors must perform one of the following Concertos with the orchestra.<\/div>\n

[\/vc_column_text][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”723241″ css=”.vc_custom_1637423177266{padding-right: 200px !important;}”][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”107164″ css=”.vc_custom_1790133897980{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
W. A. Mozart<\/td>\nConcerto<\/td>\nNo. 20 in D minor, K. 466<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 22 in E-flat major, K. 482<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 23 in A major, K. 488<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 24 in C minor, K. 491<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 25 in C major, K. 503<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 27 in B-flat major, K. 595<\/td>\n<\/tr>\n
L. v. Beethoven<\/td>\n\u3003<\/td>\nNo. 3 in C minor, Op. 37<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 4 in G major, Op. 58<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 5 in E-flat major, Op. 73<\/td>\n<\/tr>\n
R. Schumann<\/td>\n\u3003<\/td>\nin A minor, Op. 54<\/td>\n<\/tr>\n
F. Liszt<\/td>\n\u3003<\/td>\nNo. 1 in E-flat major<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in A major, S. 125<\/td>\n<\/tr>\n
J. Brahms<\/td>\n\u3003<\/td>\nNo. 1 in D minor, Op. 15<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in B-flat major, Op. 83<\/td>\n<\/tr>\n
P. I. Tchaikovsky<\/td>\n\u3003<\/td>\nNo. 1 in B-flat minor, Op. 23<\/td>\n<\/tr>\n
S. Rachmaninov<\/td>\n\u3003<\/td>\nNo. 2 in C minor, Op. 18<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in D minor, Op. 30<\/td>\n<\/tr>\n
<\/td>\nRhapsody on a Theme of Paganini in A minor, Op. 43<\/td>\n<\/tr>\n
M. Ravel<\/td>\nConcerto<\/td>\nin G major<\/td>\n<\/tr>\n
S. Prokofiev<\/td>\n\u3003<\/td>\nNo. 2 in G minor, Op. 16<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in C major, Op. 26<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 5 in G major, Op. 55<\/td>\n<\/tr>\n
B. Bart\u00f3k<\/td>\n\u3003<\/td>\nNo. 3 in E major, Sz. 119<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”170937″][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”175418″ css=”.vc_custom_1790133903376{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
W. A. Mozart<\/td>\nConcerto<\/td>\nNo. 20 in D minor, K. 466<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 22 in E-flat major, K. 482<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 23 in A major, K. 488<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 24 in C minor, K. 491<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 25 in C major, K. 503<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 27 in B-flat major, K. 595<\/td>\n<\/tr>\n
L. v. Beethoven<\/td>\n\u3003<\/td>\nNo. 3 in C minor, Op. 37<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 4 in G major, Op. 58<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 5 in E-flat major, Op. 73<\/td>\n<\/tr>\n
R. Schumann<\/td>\n\u3003<\/td>\nin A minor, Op. 54<\/td>\n<\/tr>\n
F. Liszt<\/td>\n\u3003<\/td>\nNo. 1 in E-flat major<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in A major, S. 125<\/td>\n<\/tr>\n
J. Brahms<\/td>\n\u3003<\/td>\nNo. 1 in D minor, Op. 15<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in B-flat major, Op. 83<\/td>\n<\/tr>\n
P. I. Tchaikovsky<\/td>\n\u3003<\/td>\nNo. 1 in B-flat minor, Op. 23<\/td>\n<\/tr>\n
S. Rachmaninov<\/td>\n\u3003<\/td>\nNo. 2 in C minor, Op. 18<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in D minor, Op. 30<\/td>\n<\/tr>\n
<\/td>\nRhapsody on a Theme of Paganini in A minor, Op. 43<\/td>\n<\/tr>\n
M. Ravel<\/td>\nConcerto<\/td>\nin G major<\/td>\n<\/tr>\n
S. Prokofiev<\/td>\n\u3003<\/td>\nNo. 2 in G minor, Op. 16<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in C major, Op. 26<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 5 in G major, Op. 55<\/td>\n<\/tr>\n
B. Bart\u00f3k<\/td>\n\u3003<\/td>\nNo. 3 in E major, Sz. 119<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=”147409″ css=”.vc_custom_1790134029345{padding-left: 10px !important;}”][NOTICE]<\/strong><\/p>\n

1. The repertoire for the First, Second, and Semifinal Round must include at least one complete piano sonata by Ludwig van Beethoven.<\/strong><\/div>\n
2. Competitors must include one piano solo work<\/strong> of no more than six minutes, composed by a Korean composer specifically for this Competition,<\/strong> in either the First Round or Second Round programme.<\/div>\n
3. Works performed in the Video Preliminary Screening may also be performed in the Competition. However, the same work may not be performed in more than one round of the Competition.<\/div>\n
4. All works must be performed from memory, except for the work by a Korean composer, which may be performed from the score.<\/div>\n
5. Competitors may determine the order of works in their programme for each round.<\/div>\n
6. Competitors must strictly observe the prescribed time limits. If the time limit is exceeded, the Jury reserves the right to stop the performance.<\/div>\n
7. Any change to the submitted repertoire must be submitted to the Secretariat in writing by 31 January 2027 and is subject to the approval of the Secretariat.<\/div>\n
8. All performances will be open to the public.<\/div>\n

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