{"id":104999,"date":"2026-09-02T12:52:21","date_gmt":"2026-09-02T03:52:21","guid":{"rendered":"http:\/\/seoulcompetition.com\/en\/?page_id=104999"},"modified":"2026-10-13T15:12:21","modified_gmt":"2026-10-13T06:12:21","slug":"repertoire-2027","status":"publish","type":"page","link":"http:\/\/seoulcompetition.com\/en\/repertoire-2027\/","title":{"rendered":"Repertoire 2027"},"content":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”105011″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ shape_top_color=”color-wayh” shape_top_opacity=”25″ shape_top_index=”0″ row_name=”Welcome” uncode_shortcode_id=”500049″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette” shape_top_color_type=”uncode-palette” row_height_pixel=”120″][vc_column column_width_use_pixel=”yes” position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_font=”font-136269″ text_size=”fontsize-155944″ text_weight=”400″ text_space=”fontspace-781688″ sub_lead=”yes” sub_reduced=”yes” uncode_shortcode_id=”175958″ subheading=”Repertoire”]2027 Piano[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”204748″][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”182837″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”140758″][vc_column_text uncode_shortcode_id=”173268″][FIRST ROUND]<\/strong><\/p>\n

Competitors shall perform a programme of their own choice, lasting a minimum of 25 minutes and a maximum of 30 minutes<\/strong><\/div>\n

[SECOND ROUND]<\/strong><\/p>\n

Competitors shall perform a programme of their own choice, lasting a minimum of 40 minutes and a maximum of 45 minutes<\/strong><\/div>\n

[SEMIFINAL ROUND]<\/strong><\/p>\n

Competitors shall perform a programme of their own choice, lasting a minimum of 55 minutes and a maximum of 60 minutes<\/strong><\/div>\n

[FINAL ROUND]<\/strong><\/p>\n

Competitors must perform one of the following Concertos with the orchestra.<\/div>\n

[\/vc_column_text][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”723241″ css=”.vc_custom_1637423177266{padding-right: 200px !important;}”][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”107164″ css=”.vc_custom_1790133897980{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
W. A. Mozart<\/td>\nConcerto<\/td>\nNo. 20 in D minor, K. 466<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 22 in E-flat major, K. 482<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 23 in A major, K. 488<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 24 in C minor, K. 491<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 25 in C major, K. 503<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 27 in B-flat major, K. 595<\/td>\n<\/tr>\n
L. v. Beethoven<\/td>\n\u3003<\/td>\nNo. 3 in C minor, Op. 37<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 4 in G major, Op. 58<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 5 in E-flat major, Op. 73<\/td>\n<\/tr>\n
R. Schumann<\/td>\n\u3003<\/td>\nin A minor, Op. 54<\/td>\n<\/tr>\n
F. Liszt<\/td>\n\u3003<\/td>\nNo. 1 in E-flat major<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in A major, S. 125<\/td>\n<\/tr>\n
J. Brahms<\/td>\n\u3003<\/td>\nNo. 1 in D minor, Op. 15<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in B-flat major, Op. 83<\/td>\n<\/tr>\n
P. I. Tchaikovsky<\/td>\n\u3003<\/td>\nNo. 1 in B-flat minor, Op. 23<\/td>\n<\/tr>\n
S. Rachmaninov<\/td>\n\u3003<\/td>\nNo. 2 in C minor, Op. 18<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in D minor, Op. 30<\/td>\n<\/tr>\n
<\/td>\nRhapsody on a Theme of Paganini in A minor, Op. 43<\/td>\n<\/tr>\n
M. Ravel<\/td>\nConcerto<\/td>\nin G major<\/td>\n<\/tr>\n
S. Prokofiev<\/td>\n\u3003<\/td>\nNo. 2 in G minor, Op. 16<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in C major, Op. 26<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 5 in G major, Op. 55<\/td>\n<\/tr>\n
B. Bart\u00f3k<\/td>\n\u3003<\/td>\nNo. 3 in E major, Sz. 119<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”170937″][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”175418″ css=”.vc_custom_1790133903376{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
W. A. Mozart<\/td>\nConcerto<\/td>\nNo. 20 in D minor, K. 466<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 22 in E-flat major, K. 482<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 23 in A major, K. 488<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 24 in C minor, K. 491<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 25 in C major, K. 503<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 27 in B-flat major, K. 595<\/td>\n<\/tr>\n
L. v. Beethoven<\/td>\n\u3003<\/td>\nNo. 3 in C minor, Op. 37<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 4 in G major, Op. 58<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 5 in E-flat major, Op. 73<\/td>\n<\/tr>\n
R. Schumann<\/td>\n\u3003<\/td>\nin A minor, Op. 54<\/td>\n<\/tr>\n
F. Liszt<\/td>\n\u3003<\/td>\nNo. 1 in E-flat major<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in A major, S. 125<\/td>\n<\/tr>\n
J. Brahms<\/td>\n\u3003<\/td>\nNo. 1 in D minor, Op. 15<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in B-flat major, Op. 83<\/td>\n<\/tr>\n
P. I. Tchaikovsky<\/td>\n\u3003<\/td>\nNo. 1 in B-flat minor, Op. 23<\/td>\n<\/tr>\n
S. Rachmaninov<\/td>\n\u3003<\/td>\nNo. 2 in C minor, Op. 18<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in D minor, Op. 30<\/td>\n<\/tr>\n
<\/td>\nRhapsody on a Theme of Paganini in A minor, Op. 43<\/td>\n<\/tr>\n
M. Ravel<\/td>\nConcerto<\/td>\nin G major<\/td>\n<\/tr>\n
S. Prokofiev<\/td>\n\u3003<\/td>\nNo. 2 in G minor, Op. 16<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in C major, Op. 26<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 5 in G major, Op. 55<\/td>\n<\/tr>\n
B. Bart\u00f3k<\/td>\n\u3003<\/td>\nNo. 3 in E major, Sz. 119<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=”166026″ css=”.vc_custom_1791871921907{padding-left: 10px !important;}”][NOTICE]<\/strong><\/p>\n

1. Competitors must perform at least one complete piano sonata by Ludwig van Beethoven<\/strong> in one of the First, Second, or Semifinal Rounds.<\/div>\n
2. Competitors must include one piano solo work of no more than six minutes, composed by a Korean composer specifically for this Competition,<\/strong> in either their First Round or Second Round programme.<\/div>\n
3. Works performed in the Video Preliminary Screening may also be performed in the Competition. However, the same work may not be performed in more than one of the First, Second, Semifinal, or Final Rounds.<\/div>\n
4. All works must be performed from memory, except for the commissioned work by a Korean composer, which may be performed from the score.<\/div>\n
5. Repeats are at the discretion of the competitors.<\/div>\n
6. Competitors may determine the order of works in each round.<\/div>\n
7. Competitors must strictly observe the prescribed time limits. If the time limit is exceeded, the Jury reserves the right to stop the performance.<\/div>\n
8. Changes to the submitted repertoire are permitted only with the Secretariat\u2019s approval. Requests must be submitted in writing by 31 January 2027.<\/div>\n
9. All performances will be open to the public.<\/div>\n

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