{"id":104673,"date":"2025-11-20T13:47:28","date_gmt":"2025-11-20T13:47:28","guid":{"rendered":"http:\/\/seoulcompetition.com\/en\/?page_id=104673"},"modified":"2026-03-26T18:17:56","modified_gmt":"2026-03-26T09:17:56","slug":"repertoire-2026","status":"publish","type":"page","link":"http:\/\/seoulcompetition.com\/en\/repertoire-2026\/","title":{"rendered":"Repertoire 2026"},"content":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”104917″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ shape_top_color=”color-wayh” shape_top_opacity=”25″ shape_top_index=”0″ row_name=”Welcome” uncode_shortcode_id=”143882″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette” shape_top_color_type=”uncode-palette” row_height_pixel=”120″ shape_dividers=””][vc_column column_width_use_pixel=”yes” position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_font=”font-136269″ text_size=”fontsize-155944″ text_weight=”400″ text_space=”fontspace-781688″ sub_lead=”yes” sub_reduced=”yes” uncode_shortcode_id=”516226″ subheading=”Repertoire”]2026 Voice[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”204748″][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”168216″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”140758″][vc_column_text uncode_shortcode_id=”102202″]Competitors must prepare
\n1. Three art songs in three different languages<\/strong><\/p>\n

\n
\u2460 Two art songs in two different languages<\/div>\n
\u2461 One Korean art song composed by Sun Nam Kim (to be sung in Korean).
\n(Semifinalists must select and perform one piece from the six listed below. Scores will be provided to candidates who pass the Preliminary Round by 11 February 2026.)<\/div>\n<\/div>\n
\u2022 Sanyuhwa (Flowers on the Mountain) poem by So-wol Kim
\n\u2022 Sangryeol poem by Jang-hwan Oh
\n\u2022 Izeotdeon Maeum (Forgotten Feelings) poem by So-wol Kim
\n\u2022 Azaleas poem by So-wol Kim
\n\u2022 Ironworks poem by Buk-won Kim
\n\u2022 Taengja (A Bitter Orange) poem by Noh-chun Park<\/div>\n

2. Seven opera arias in at least three different languages<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”127714″][FIRST ROUND]<\/strong><\/p>\n

\u2460 One art song
\n\u2461 One opera aria<\/div>\n

[SECOND ROUND]<\/strong><\/p>\n

\u2460 Two opera arias<\/div>\n

[SEMIFINAL ROUND]<\/strong><\/p>\n

\n
\u2460 Two art songs (including one Korean art song from the list)<\/div>\n
\u2461 Two opera arias<\/div>\n<\/div>\n

[FINAL ROUND]<\/strong><\/p>\n

\n
\u2460 Two opera arias with the orchestra<\/div>\n
Competitor will choose one opera aria, and the jury will assign another from the repertoire list submitted. The aria selected by the Jury will be announced to the competitor after the conclusion of the Semifinal Round.<\/div>\n
If the orchestral material is not available, candidates may be asked to provide it, select a different aria, or adjust their program according to available orchestral forces.<\/div>\n<\/div>\n

[NOTICE]<\/strong><\/p>\n

1. No work may be repeated in the First, Second, Semifinal, and Final Rounds, except for the Jury-assigned aria in the Final Round.<\/div>\n
2. All repertoire must be performed from memory.<\/div>\n
3. All works must be sung in their original languages. Key changes are not permitted in opera aria.<\/div>\n
4. Opera arias containing \u201crecitative\u201d and \u201ccabaletta\u201d must be sung in their entirety.<\/div>\n
5. Competitors may decide the order of their program for each round.<\/div>\n
6. Any repertoire changes must be submitted in writing no later than 18 February, 2026.<\/strong><\/div>\n
7. All public rounds will be open to the public.<\/div>\n

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