{"id":104530,"date":"2025-04-05T01:48:40","date_gmt":"2025-04-05T01:48:40","guid":{"rendered":"http:\/\/seoulcompetition.com\/en\/?page_id=104530"},"modified":"2025-12-24T12:10:07","modified_gmt":"2025-12-24T03:10:07","slug":"repertoire-2025","status":"publish","type":"page","link":"http:\/\/seoulcompetition.com\/en\/repertoire-2025\/","title":{"rendered":"Repertoire 2025"},"content":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”104812″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ shape_top_color=”color-wayh” shape_top_opacity=”25″ shape_top_index=”0″ row_name=”Welcome” uncode_shortcode_id=”805318″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette” shape_top_color_type=”uncode-palette” row_height_pixel=”120″ shape_dividers=””][vc_column column_width_use_pixel=”yes” position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_font=”font-136269″ text_size=”fontsize-155944″ text_weight=”400″ text_space=”fontspace-781688″ sub_lead=”yes” sub_reduced=”yes” uncode_shortcode_id=”194568″ subheading=”Repertoire”]2025 Violin[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”204748″][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”134719″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”140758″][vc_column_text uncode_shortcode_id=”575204″][FIRST ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”237959″ css=”.vc_custom_1744960559747{padding-left: 10px !important;}”]Competitors will be required to play 1, 2, and 3 below.[\/vc_column_text][vc_column_text uncode_shortcode_id=”140764″ css=”.vc_custom_1744961017674{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n
1. N. Paganini<\/strong> : Any two Caprices of unaccompanied violin, Op.1
\n\u2022 A Caprice from preselection video may be repeated<\/td>\n<\/tr>\n
2. J. S. Bach<\/strong> : Two movements from a Sonata or Partita for solo violin, except the Chaconne<\/em> and Fuga<\/em>
\n(to be performed without repeats)<\/em>
\n\u2022 In Bach\u2019s Partita in B minor, Double belongs to the previous movement<\/td>\n<\/tr>\n
3. One of the following violin-piano sonatas of W. A. Mozart<\/strong> (to be performed without repeats)<\/em> :
\nSonata No.18 in G major, K.301<\/span>
\nSonata No.19 in E-flat major, K.302<\/span>
\nSonata No.20 in C major, K.303<\/span>
\nSonata No.21 in E minor, K.304<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”195966″][SECOND ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”153513″ css=”.vc_custom_1743818896889{padding-left: 10px !important;}”]Competitors will be required to play 1 and 2 below.[\/vc_column_text][vc_column_text uncode_shortcode_id=”955563″ css=”.vc_custom_1744960774418{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n
1. One of the following violin-piano sonatas of L. v. Beethoven<\/strong> (to be performed without repeats)<\/em> :
\nSonata No.1 in D major, Op.12<\/span>
\nSonata No.2 in A major, Op.12<\/span>
\nSonata No.3 in E-flat major, Op.12<\/span>
\nSonata No.4 in A minor, Op.23<\/span>
\nSonata No.6 in A major, Op.30<\/span><\/td>\n<\/tr>\n
\n
2. One of the following violin solo sonatas of E. Ysa\u00ffe<\/strong> :<\/div>\n
Sonata No.3 in D minor for solo violin, Op.27<\/div>\n
Sonata No.6 in E major for solo violin, Op.27<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”188747″][SEMIFINAL ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”114597″ css=”.vc_custom_1743818910416{padding-left: 10px !important;}”]Competitors will be required to play a free Recital program lasting a minimum of 45 minutes and a maximum of 50 minutes, including 1 and 2 below.[\/vc_column_text][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”953133″][vc_column_inner width=”3\/4″][vc_column_text uncode_shortcode_id=”105891″ css=”.vc_custom_1743819623621{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1. Commissioned Work (approximately 5 minutes in length)<\/td>\n<\/tr>\n
2. One violin-piano sonata from the following list:<\/td>\n<\/tr>\n
B. Bart\u00f3k<\/strong><\/span><\/td>\nSonata No.2 in C major, Sz.76<\/td>\n<\/tr>\n
J. Brahms<\/strong><\/span><\/td>\n Sonata No.1 in G major, Op.78
\nSonata No.2 in A major, Op.100
\nSonata No.3 in D minor, Op.108 <\/span><\/td>\n<\/tr>\n
C. Debussy<\/strong><\/span><\/td>\nSonata No.3 in G minor<\/span><\/td>\n<\/tr>\n
G. Enescu<\/strong><\/span><\/td>\nSonata No.3 in A minor, Op.25<\/span><\/td>\n<\/tr>\n
G. Faur\u00e9<\/strong><\/span><\/td>\nSonata No.1 in A major, Op.13<\/td>\n<\/tr>\n
E. Grieg<\/strong><\/span><\/td>\n Sonata No.2 in G major, Op.13
\nSonata No.3 in C minor, Op.45 <\/span><\/td>\n<\/tr>\n
L. Jan\u00e1\u010dek<\/strong><\/span><\/td>\nSonata<\/span><\/td>\n<\/tr>\n
S. Prokofiev<\/strong><\/span><\/td>\n Sonata No.1 in F minor, Op.80
\nSonata No.2 in D major, Op.94a <\/span><\/td>\n<\/tr>\n
M. Ravel<\/strong><\/span><\/td>\nSonata No.2 in G major<\/span><\/td>\n<\/tr>\n
O. Respighi<\/strong><\/span><\/td>\nSonata in B minor<\/span><\/td>\n<\/tr>\n
C. Saint-Sa\u00ebns<\/strong><\/span><\/td>\nSonata No.1 in D minor, Op.75<\/span><\/td>\n<\/tr>\n
F. Schubert<\/strong><\/span><\/td>\nSonata in A major, Op.162
\nFantasy in C major, Op.159 <\/span><\/td>\n<\/tr>\n
R. Schumann<\/strong><\/span><\/td>\n Sonata No.1 in A minor, Op.105
\nSonata No.2 in D minor, Op.121 <\/span><\/td>\n<\/tr>\n
R. Strauss<\/strong><\/span><\/td>\nSonata in E-flat major, Op.18<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”438533″][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”917516″ css=”.vc_custom_1743819630356{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1. Commissioned Work (approximately 5 minutes in length)<\/td>\n<\/tr>\n
2. One violin-piano sonata from the following list:<\/td>\n<\/tr>\n
B. Bart\u00f3k<\/strong><\/span><\/td>\nSonata No.2 in C major, Sz.76<\/td>\n<\/tr>\n
J. Brahms<\/strong><\/span><\/td>\n Sonata No.1 in G major, Op.78
\nSonata No.2 in A major, Op.100
\nSonata No.3 in D minor, Op.108 <\/span><\/td>\n<\/tr>\n
C. Debussy<\/strong><\/span><\/td>\nSonata No.3 in G minor<\/span><\/td>\n<\/tr>\n
G. Enescu<\/strong><\/span><\/td>\nSonata No.3 in A minor, Op.25<\/span><\/td>\n<\/tr>\n
G. Faur\u00e9<\/strong><\/span><\/td>\nSonata No.1 in A major, Op.13<\/td>\n<\/tr>\n
E. Grieg<\/strong><\/span><\/td>\n Sonata No.2 in G major, Op.13
\nSonata No.3 in C minor, Op.45 <\/span><\/td>\n<\/tr>\n
L. Jan\u00e1\u010dek<\/strong><\/span><\/td>\nSonata<\/span><\/td>\n<\/tr>\n
S. Prokofiev<\/strong><\/span><\/td>\n Sonata No.1 in F minor, Op.80
\nSonata No.2 in D major, Op.94a <\/span><\/td>\n<\/tr>\n
M. Ravel<\/strong><\/span><\/td>\nSonata No.2 in G major<\/span><\/td>\n<\/tr>\n
O. Respighi<\/strong><\/span><\/td>\nSonata in B minor<\/span><\/td>\n<\/tr>\n
C. Saint-Sa\u00ebns<\/strong><\/span><\/td>\nSonata No.1 in D minor, Op.75<\/span><\/td>\n<\/tr>\n
F. Schubert<\/strong><\/span><\/td>\nSonata in A major, Op.162
\nFantasy in C major, Op.159 <\/span><\/td>\n<\/tr>\n
R. Schumann<\/strong><\/span><\/td>\n Sonata No.1 in A minor, Op.105
\nSonata No.2 in D minor, Op.121 <\/span><\/td>\n<\/tr>\n
R. Strauss<\/strong><\/span><\/td>\nSonata in E-flat major, Op.18<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=”163999″][FINAL ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”201326″ css=”.vc_custom_1743819643053{padding-left: 10px !important;}”]Competitors will perform one of the following concertos with the orchestra. Cadenza must be included and the type of cadenza is left to the discretion of the competitor.[\/vc_column_text][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”131176″][vc_column_inner width=”3\/4″][vc_column_text uncode_shortcode_id=”190106″ css=”.vc_custom_1743819944587{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n
B. Bart\u00f3k<\/strong><\/span><\/td>\nConcerto No.2, Sz.112<\/span><\/td>\n<\/tr>\n
L. v. Beethoven<\/strong><\/span><\/td>\nConcerto in D major, Op.61<\/span><\/td>\n<\/tr>\n
J. Brahms<\/strong><\/span><\/span><\/td>\nConcerto in D major, Op.77<\/span><\/td>\n<\/tr>\n
A. Dvo\u0159\u00e1k<\/strong><\/span><\/span><\/td>\nConcerto in A minor, Op.53<\/span><\/td>\n<\/tr>\n
F. Mendelssohn<\/strong><\/span><\/span><\/td>\nConcerto in E minor, Op.64<\/span><\/td>\n<\/tr>\n
S. Prokofiev<\/strong><\/span><\/span><\/td>\nConcerto No.1 in D major, Op.19
\nConcerto No.2 in G minor, Op.63 <\/span><\/td>\n<\/tr>\n
J. Sibelius<\/strong><\/span><\/span><\/td>\nConcerto in D minor, Op.47<\/span><\/td>\n<\/tr>\n
P. I. Tchaikovsky<\/strong><\/span><\/span><\/td>\nConcerto in D major, Op.35<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”158209″][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”281810″ css=”.vc_custom_1743819950506{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n
B. Bart\u00f3k<\/strong><\/span><\/td>\nConcerto No.2, Sz.112<\/span><\/td>\n<\/tr>\n
L. v. Beethoven<\/strong><\/span><\/td>\nConcerto in D major, Op.61<\/span><\/td>\n<\/tr>\n
J. Brahms<\/strong><\/span><\/span><\/td>\nConcerto in D major, Op.77<\/span><\/td>\n<\/tr>\n
A. Dvo\u0159\u00e1k<\/strong><\/span><\/span><\/td>\nConcerto in A minor, Op.53<\/span><\/td>\n<\/tr>\n
F. Mendelssohn<\/strong><\/span><\/span><\/td>\nConcerto in E minor, Op.64<\/span><\/td>\n<\/tr>\n
S. Prokofiev<\/strong><\/span><\/span><\/td>\nConcerto No.1 in D major, Op.19
\nConcerto No.2 in G minor, Op.63 <\/span><\/td>\n<\/tr>\n
J. Sibelius<\/strong><\/span><\/span><\/td>\nConcerto in D minor, Op.47<\/span><\/td>\n<\/tr>\n
P. I. Tchaikovsky<\/strong><\/span><\/span><\/td>\nConcerto in D major, Op.35<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=”119620″][NOTICE]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”195601″ css=”.vc_custom_1744094482896{padding-left: 10px !important;}”]<\/p>\n

1. No work can be repeated during the First, Second, Semifinal, and Final Rounds.<\/div>\n
2. The entire repertoire, with the exception of violin sonatas with piano and the commissioned work performed in the Semifinal Round, must be played from memory.<\/div>\n
3. The pieces may be performed in any order.<\/div>\n
4. Strict adherence to time limits must be observed. Should the competitor overrun the time limit, the Jury may stop his\/her performance.<\/div>\n
5. The Competition Office should be notified in writing of any changes to the Competition repertoire no later than 10 October, 2025<\/strong>.<\/div>\n
6. Competition performances will be open to the public.<\/div>\n

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