{"id":104283,"date":"2024-04-01T15:35:01","date_gmt":"2024-04-01T15:35:01","guid":{"rendered":"http:\/\/seoulcompetition.com\/en\/?page_id=104283"},"modified":"2024-04-29T08:54:00","modified_gmt":"2024-04-29T08:54:00","slug":"repertoire-2024","status":"publish","type":"page","link":"http:\/\/seoulcompetition.com\/en\/repertoire-2024\/","title":{"rendered":"Repertoire 2024"},"content":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”103608″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ shape_top_color=”color-wayh” shape_top_opacity=”25″ shape_top_index=”0″ row_name=”Welcome” uncode_shortcode_id=”143618″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette” shape_top_color_type=”uncode-palette” row_height_pixel=”120″][vc_column column_width_use_pixel=”yes” position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_font=”font-136269″ text_size=”fontsize-155944″ text_weight=”400″ text_space=”fontspace-781688″ sub_lead=”yes” sub_reduced=”yes” uncode_shortcode_id=”143353″ subheading=”Repertoire”]2024 Piano[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”204748″][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”182837″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”140758″][vc_column_text uncode_shortcode_id=”175359″][First Round]<\/strong><\/p>\n

Performances must be a minimum of 25 minutes to a maximum of 30 minutes in duration, consisting of works selected freely by the competitor.<\/div>\n

[Second Round]<\/strong><\/p>\n

Performances must be a minimum of 40 minutes to a maximum of 45 minutes in duration, consisting of works selected freely by the competitor. No works from the 1st<\/sup> Round may be repeated. Only complete works will be accepted.<\/div>\n

[Semifinal]<\/strong><\/p>\n

Performances must be a minimum of 60 minutes to a maximum of 65 minutes to include the commissioned solo piano work of approximately 7 minutes in length, specially composed for this competition by Korean Composer. The Score will be made available for the competitors who pass the Preliminary Round by September 13. No works from the previous rounds may be repeated. Only complete works will be accepted.<\/div>\n

[Final]<\/strong><\/p>\n

Competitors must perform one of the following Concertos with the orchestra.<\/div>\n

[\/vc_column_text][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”723241″ css=”.vc_custom_1637423177266{padding-right: 200px !important;}”][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”131049″ css=”.vc_custom_1711986566191{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
MOZART<\/td>\nConcerto<\/td>\nNo. 9 in E flat major, K.271<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 20 in D minor, K.466<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 21 in C major, K.467<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 22 in E flat major, K.482<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 23 in A major, K.488<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 24 in C minor, K.491<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 25 in C major, K.503<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 26 in D major, K.537<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 27 in B flat major, K.595<\/td>\n<\/tr>\n
BEETHOVEN<\/td>\n\u3003<\/td>\nNo. 1 in C major, Op.15<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in B flat major, Op.19<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in C minor, Op.37<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 4 in G major, Op.58<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 5 in E flat major, Op.73<\/td>\n<\/tr>\n
CHOPIN<\/td>\n\u3003<\/td>\nNo. 1 in E minor, Op.11<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in F minor, Op.21<\/td>\n<\/tr>\n
SCHUMANN<\/td>\n\u3003<\/td>\nin A minor, Op.54<\/td>\n<\/tr>\n
LISZT<\/td>\n\u3003<\/td>\nNo. 1 in E flat major<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in A major, S125<\/td>\n<\/tr>\n
BRAHMS<\/td>\n\u3003<\/td>\nNo. 1 in D minor, Op.15<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in B flat major, Op.83<\/td>\n<\/tr>\n
SAINT-SA\u00cbNS<\/td>\n\u3003<\/td>\nNo. 2 in G minor, Op.22<\/td>\n<\/tr>\n
TCHAIKOVSKY<\/td>\n\u3003<\/td>\nNo. 1 in B flat minor, Op.23<\/td>\n<\/tr>\n
RACHMANINOFF<\/td>\n\u3003<\/td>\nNo. 1 in F sharp minor, Op.1<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in C minor, Op.18<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in D minor, Op.30<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 4 in G minor, Op.40<\/td>\n<\/tr>\n
<\/td>\nRhapsody on a Theme of Paganini in A minor, Op.43<\/td>\n<\/tr>\n
RAVEL<\/td>\nConcerto<\/td>\nin G major<\/td>\n<\/tr>\n
PROKOFIEV<\/td>\n\u3003<\/td>\nNo. 2 in G minor, Op.16<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in C major, Op.26<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 5 in G major, Op.55<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”170937″][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”196473″ css=”.vc_custom_1711986572024{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
MOZART<\/td>\nConcerto<\/td>\nNo. 9 in E flat major, K.271<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 20 in D minor, K.466<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 21 in C major, K.467<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 22 in E flat major, K.482<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 23 in A major, K.488<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 24 in C minor, K.491<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 25 in C major, K.503<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 26 in D major, K.537<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 27 in B flat major, K.595<\/td>\n<\/tr>\n
BEETHOVEN<\/td>\n\u3003<\/td>\nNo. 1 in C major, Op.15<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in B flat major, Op.19<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in C minor, Op.37<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 4 in G major, Op.58<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 5 in E flat major, Op.73<\/td>\n<\/tr>\n
CHOPIN<\/td>\n\u3003<\/td>\nNo. 1 in E minor, Op.11<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in F minor, Op.21<\/td>\n<\/tr>\n
SCHUMANN<\/td>\n\u3003<\/td>\nin A minor, Op.54<\/td>\n<\/tr>\n
LISZT<\/td>\n\u3003<\/td>\nNo. 1 in E flat major<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in A major, S125<\/td>\n<\/tr>\n
BRAHMS<\/td>\n\u3003<\/td>\nNo. 1 in D minor, Op.15<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in B flat major, Op.83<\/td>\n<\/tr>\n
SAINT-SA\u00cbNS<\/td>\n\u3003<\/td>\nNo. 2 in G minor, Op.22<\/td>\n<\/tr>\n
TCHAIKOVSKY<\/td>\n\u3003<\/td>\nNo. 1 in B flat minor, Op.23<\/td>\n<\/tr>\n
RACHMANINOFF<\/td>\n\u3003<\/td>\nNo. 1 in F sharp minor, Op.1<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in C minor, Op.18<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in D minor, Op.30<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 4 in G minor, Op.40<\/td>\n<\/tr>\n
<\/td>\nRhapsody on a Theme of Paganini in A minor, Op.43<\/td>\n<\/tr>\n
RAVEL<\/td>\nConcerto<\/td>\nin G major<\/td>\n<\/tr>\n
PROKOFIEV<\/td>\n\u3003<\/td>\nNo. 2 in G minor, Op.16<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in C major, Op.26<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 5 in G major, Op.55<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=”152215″ css=”.vc_custom_1712133518372{padding-left: 10px !important;}”][NOTICE]<\/strong><\/p>\n

1. The repertoire chosen for the solo rounds must include at least one complete sonata by L. v. Beethoven.<\/strong><\/div>\n
2. Competitors may play pieces they presented on the video recording enclosed with the application. However, the same pieces cannot be played in the different rounds of the Competition.<\/div>\n
3. All pieces must be performed from memory, with the exception of the commissioned piece of Korean composer which is to be performed in the Semifinal.<\/div>\n
4. Repeats are left to the discretion of the candidates.<\/div>\n
5. The pieces may be performed in any order.<\/div>\n
6. Strict adherence to time limits must be observed. Should the competitor overrun the time limit, the Jury may stop his\/her performance.<\/div>\n
7. The Competition Office should be notified in writing of any changes to the Competition repertoire no later than September 27, 2024<\/strong><\/div>\n
8. Competition performances will be open to the public.<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”103608″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages\/104283"}],"collection":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/comments?post=104283"}],"version-history":[{"count":3,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages\/104283\/revisions"}],"predecessor-version":[{"id":104349,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages\/104283\/revisions\/104349"}],"wp:attachment":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/media?parent=104283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}