{"id":103759,"date":"2022-11-02T03:48:33","date_gmt":"2022-11-02T03:48:33","guid":{"rendered":"http:\/\/seoulcompetition.com\/en\/?page_id=103759"},"modified":"2022-11-02T07:38:31","modified_gmt":"2022-11-02T07:38:31","slug":"prize-winners-2022","status":"publish","type":"page","link":"http:\/\/seoulcompetition.com\/en\/prize-winners-2022\/","title":{"rendered":"Prize Winners 2022"},"content":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”103509″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ shape_top_color=”color-wayh” shape_top_opacity=”25″ shape_top_index=”0″ row_name=”Welcome” uncode_shortcode_id=”180236″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette” shape_top_color_type=”uncode-palette” row_height_pixel=”120″ shape_dividers=””][vc_column column_width_use_pixel=”yes” position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_font=”font-136269″ text_size=”fontsize-155944″ text_weight=”400″ text_space=”fontspace-781688″ sub_lead=”yes” sub_reduced=”yes” uncode_shortcode_id=”205864″ subheading=”Prize Winners”]2022 Violin[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”204748″][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”0″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”128758″][vc_column column_width_percent=”100″ position_horizontal=”left” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”282015″][vc_single_image media=”103762″ media_width_use_pixel=”yes” uncode_shortcode_id=”724581″ media_width_pixel=”400″][\/vc_column][vc_column width=”1\/2″][vc_single_image media=”103763″ media_width_use_pixel=”yes” uncode_shortcode_id=”207588″ media_width_pixel=”400″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”2″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”442482″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/6″][vc_single_image media=”103765″ media_width_use_pixel=”yes” uncode_shortcode_id=”137541″ media_width_pixel=”149″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”5\/6″ uncode_shortcode_id=”651558″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”198591″][1st Prize] Dong Min Lim[\/vc_custom_heading][vc_empty_space empty_h=”0″][vc_column_text text_lead=”small” uncode_shortcode_id=”210728″]Nationality<\/strong> Korea
\nDate of Birth<\/strong> 2001. 03. 27<\/p>\n

Teachers<\/strong>
\n\u2022 Ning Feng
\n\u2022 Nam-Yun Kim
\n\u2022 Takashi Shimizu<\/p>\n

Education<\/strong>
\n\u2022 Hochschule f\u00fcr Musik Hanns Eisler Berlin, Berlin, Germany
\n\u2022 School of Music, Korea National University of Arts, Seoul, Korea<\/p>\n

Prizes<\/strong>
\n\u2022 Gold Prize, KBS-KEPCO Competition, Korea in 2022
\n\u2022 Special Prize, Isangyun Competition, Korea in 2021
\n\u2022 1st Prize, Joongang Music Concours, Korea in 2019<\/p>\n

[Program]<\/strong>
\nFirst Round<\/strong>
\n\u2022 J. S. Bach<\/strong> Violin Sonata No.1 in G minor, BWV 1001 I. Adagio II. Fuga
\n\u2022 W. A. Mozart<\/strong> Violin Concerto No.5 in A major, K.219, \u201cTurkish\u201d I. Allegro aperto
\n\u2022 N. Paganini<\/strong> Caprice Op.1 No.11
\n\u2022 N. Paganini<\/strong> Caprice Op.1 No.24
\nSecond Round<\/strong>
\n\u2022 L. v. Beethoven<\/strong> Sonata No.4 in A minor, Op.23
\n\u2022 E. Ysa\u00ffe<\/strong> Sonata No.6 in E major for solo violin, Op.27
\nSemifinal Round<\/strong>
\n\u2022 Sang-In Lee<\/strong> Embodiment I for solo violin
\n\u2022 S. Prokofiev<\/strong> Sonata No.1 in F minor, Op.80
\n\u2022 F. Waxman<\/strong> Carmen Fantasie
\nFinal Round<\/strong>
\n\u2022 D. Shostakovich<\/strong> Concerto No.1 in A minor, Op.99[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”2″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”442482″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/6″][vc_single_image media=”103766″ media_width_use_pixel=”yes” uncode_shortcode_id=”407272″ media_width_pixel=”149″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”5\/6″ uncode_shortcode_id=”651558″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”205025″][2nd Prize] Yoo Kyung Kang[\/vc_custom_heading][vc_empty_space empty_h=”0″][vc_column_text text_lead=”small” uncode_shortcode_id=”979576″]Nationality<\/strong> Korea
\nDate of Birth<\/strong> 1996. 06. 20<\/p>\n

Teachers<\/strong>
\n\u2022 Bon Joo Koo
\n\u2022 Yong Uk Kim<\/p>\n

Education<\/strong>
\n\u2022 School of Music, Korea National University of Arts, Seoul, Korea<\/p>\n

Prizes<\/strong>
\n\u2022 Grand Prize, KBS-KEPCO Competition, Korea in 2019
\n\u2022 2nd Prize, Joongang Music Concours, Korea in 2015
\n\u2022 Winner, Shinhan Music Awards, Korea in 2014<\/p>\n

[Program]<\/strong>
\nFirst Round<\/strong>
\n\u2022 J. S. Bach<\/strong> Violin Sonata No.2 in A minor, BWV 1003 I. Grave II. Fuga.
\n\u2022 N. Paganini<\/strong> Caprice Op.1 No.24
\n\u2022 N. Paganini<\/strong> Caprice Op.1 No.17
\n\u2022 W. A. Mozart<\/strong> Violin Concerto No.5 in A major, K.219, \u201cTurkish\u201d I. Allegro aperto
\nSecond Round<\/strong>
\n\u2022 L. v. Beethoven<\/strong> Sonata No.4 in A minor, Op.23
\n\u2022 E. Ysa\u00ffe<\/strong> Sonata No.3 in D minor for solo violin, Op.27
\nSemifinal Round<\/strong>
\n\u2022 Sang-In Lee<\/strong> Embodiment I for solo violin
\n\u2022 G. Faur\u00e9<\/strong> Sonata No.1 in A major, Op.13
\n\u2022 J. Hubay<\/strong> Carmen Fantasy
\nFinal Round<\/strong>
\n\u2022 J. Sibelius<\/strong> Concerto in D minor, Op.47[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”2″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”442482″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/6″][vc_single_image media=”103767″ media_width_use_pixel=”yes” uncode_shortcode_id=”199360″ media_width_pixel=”149″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”5\/6″ uncode_shortcode_id=”651558″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”890258″][3rd Prize] Lorenz Karls[\/vc_custom_heading][vc_empty_space empty_h=”0″][vc_column_text text_lead=”small” uncode_shortcode_id=”139490″]Nationality<\/strong> Sweden
\nDate of Birth<\/strong> 2001. 04. 11<\/p>\n

Teacher<\/strong>
\n\u2022 Benjamin Schmid<\/p>\n

Education<\/strong>
\n\u2022 Universit\u00e4t Mozarteum Salzburg, Salzburg, Austria<\/p>\n

Prizes<\/strong>
\n\u2022 3rd Prize, Tibor Varga International Violin Competition, Sion, Switzerland in 2021
\n\u2022 3rd Prize, Khachaturian International Violin Competition, Yerevan, Armenia in 2020
\n\u2022 3rd Prize, International Mozart Competition, Salzburg, Austria in 2020<\/p>\n

[Program]<\/strong>
\nFirst Round<\/strong>
\n\u2022 N. Paganini<\/strong> Caprice Op.1 No.22
\n\u2022 N. Paganini<\/strong> Caprice Op.1 No.24
\n\u2022 J. S. Bach<\/strong> Violin Sonata No.1 in G minor, BWV 1001 I. Adagio II. Fuga
\n\u2022 W. A. Mozart<\/strong> Violin Concerto No.4 in D major, K. 218. I. Allegro
\nSecond Round<\/strong>
\n\u2022 L. v. Beethoven<\/strong> Sonata No.4 in A minor, Op.23
\n\u2022 E. Ysa\u00ffe<\/strong> Sonata No.6 in E major for solo violin, Op.27
\nSemifinal Round<\/strong>
\n\u2022 J. Brahms<\/strong> Sonata No.3 in D minor, Op.108
\n\u2022 Sang-In Lee<\/strong> Embodiment I for solo violin
\n\u2022 H. Wieniawski<\/strong> Variations on an original Theme, Op.15
\nFinal Round<\/strong>
\n\u2022 F. Mendelssohn<\/strong> Concerto in E minor, Op.64[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”2″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”442482″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/6″][vc_single_image media=”103768″ media_width_use_pixel=”yes” uncode_shortcode_id=”461020″ media_width_pixel=”149″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”5\/6″ uncode_shortcode_id=”651558″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”136767″][4th Prize] Simon Zhu[\/vc_custom_heading][vc_empty_space empty_h=”0″][vc_column_text text_lead=”small” uncode_shortcode_id=”210845″]Nationality<\/strong> Germany
\nDate of Birth<\/strong> 2001. 04. 06<\/p>\n

Teachers<\/strong>
\n\u2022 Ana Chumachenco
\n\u2022 Ning Feng
\n\u2022 Tomasz Tomaszewski<\/p>\n

Education<\/strong>
\n\u2022 Hochschule f\u00fcr Musik und Theater M\u00fcnchen, M\u00fcnchen, Germany
\n\u2022 University of arts Berlin, Berlin, Germany<\/p>\n

Prizes<\/strong>
\n\u2022 2nd Prize, International Menuhin Competition, Richmond, USA in 2021
\n\u2022 1st Prize, Zhuhai International Mozart Competition, Zhuhai, China in 2019
\n\u2022 1st Prize, International Violin Competition Kloster Sch\u00f6ntal, Germany in 2017<\/p>\n

[Program]<\/strong>
\nFirst Round<\/strong>
\n\u2022 J. S. Bach<\/strong> Violin Sonata No.1 in G minor, BWV 1001 I. Adagio II. Fuga
\n\u2022 W. A. Mozart<\/strong> Violin Concerto No.5 in A major, K.219, \u201cTurkish\u201d I. Allegro aperto
\n\u2022 N. Paganini<\/strong> Caprice Op.1 No.24
\n\u2022 N. Paganini<\/strong> Caprice Op.1 No.5
\nSecond Round<\/strong>
\n\u2022 L. v. Beethoven<\/strong> Sonata No.2 in A major, Op.12
\n\u2022 E. Ysa\u00ffe<\/strong> Sonata No.6 in E major for solo violin, Op.27
\nSemifinal Round<\/strong>
\n\u2022 J. Brahms<\/strong> Sonata No.2 in A major, Op.100
\n\u2022 H. Wieniawski<\/strong> Variations on an original theme, Op.15
\n\u2022 Sang-In Lee<\/strong> Embodiment I for solo violin
\nFinal Round<\/strong>
\n\u2022 A. Dvo\u0159\u00e1k<\/strong> Concerto in A minor, Op.53[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”2″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”442482″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/6″][vc_single_image media=”103769″ media_width_use_pixel=”yes” uncode_shortcode_id=”104484″ media_width_pixel=”149″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”5\/6″ uncode_shortcode_id=”651558″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”188622″][5th Prize] Ga Won Kim[\/vc_custom_heading][vc_empty_space empty_h=”0″][vc_column_text text_lead=”small” uncode_shortcode_id=”426411″]Nationality<\/strong> Korea
\nDate of Birth<\/strong> 2000. 08. 23<\/p>\n

Teacher<\/strong>
\n\u2022 Shmuel Ashkenasi<\/p>\n

Education<\/strong>
\n\u2022 Curtis Institute of Music, Philadelphia, USA<\/p>\n

Prize<\/strong>
\n\u2022 2nd Prize, Mirecourt International Violin Competition, Mirecourt, France in 2021<\/p>\n

[Program]<\/strong>
\nFirst Round<\/strong>
\n\u2022 J. S. Bach<\/strong> Violin Sonata No.1 in G minor, BWV 1001 I. Adagio II. Fuga
\n\u2022 N. Paganini<\/strong> Caprice Op.1 No.17
\n\u2022 N. Paganini<\/strong> Caprice Op.1 No.24
\n\u2022 W. A. Mozart<\/strong> Violin Concerto No.4 in D major, K.218 I. Allegro
\nSecond Round<\/strong>
\n\u2022 L. v. Beethoven<\/strong> Sonata No.1 in D major, Op.12
\n\u2022 E. Ysa\u00ffe<\/strong> Sonata No.6 in E major for solo violin, Op.27
\nSemifinal Round<\/strong>
\n\u2022 G. Faur\u00e9<\/strong> Sonata No.1 in A major, Op.13
\n\u2022 Sang-In Lee<\/strong> Embodiment I for solo violin
\n\u2022 M. Ravel<\/strong> Tzigane
\nFinal Round<\/strong>
\n\u2022 E. Lalo<\/strong> Symphonie espagnole in D minor, Op.21[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”2″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”442482″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/6″][vc_single_image media=”103770″ media_width_use_pixel=”yes” uncode_shortcode_id=”189131″ media_width_pixel=”149″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”5\/6″ uncode_shortcode_id=”651558″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”120236″][6th Prize] Si Jun Kim[\/vc_custom_heading][vc_empty_space empty_h=”0″][vc_column_text text_lead=”small” uncode_shortcode_id=”121294″]Nationality<\/strong> Korea
\nDate of Birth<\/strong> 2002. 10. 23<\/p>\n

Teachers<\/strong>
\n\u2022 Nam-Yun Kim
\n\u2022 Jeong Hyun Kim<\/p>\n

Education<\/strong>
\n\u2022 School of Music, Korea National University of Arts, Seoul, Korea
\n\u2022 Korea National Institute for the Gifted in Arts, Seoul, Korea<\/p>\n

Prize<\/strong>
\n\u2022 1st Prize, Dong-A Music Competition, Korea in 2020<\/p>\n

[Program]<\/strong>
\nFirst Round<\/strong>
\n\u2022 J. S. Bach<\/strong> Violin Sonata No.2 in A minor, BWV 1003 I. Grave II. Fuga
\n\u2022 N. Paganini<\/strong> Caprice Op.1 No.15
\n\u2022 N. Paganini<\/strong> Caprice Op.1 No.24
\n\u2022 W. A. Mozart<\/strong> Violin Concerto No.4 in D major, K.218 I. Allegro
\nSecond Round<\/strong>
\n\u2022 E. Ysa\u00ffe<\/strong> Sonata No.6 in E major for solo violin, Op.27
\n\u2022 L. v. Beethoven<\/strong> Sonata No.4 in A minor, Op.23
\nSemifinal Round<\/strong>
\n\u2022 Sang-In Lee<\/strong> Embodiment I for solo violin
\n\u2022 F. Waxman<\/strong> Carmen Fantasie
\n\u2022 J. Brahms<\/strong> Sonata No.1 in G major, Op.78
\nFinal Round<\/strong>
\n\u2022 J. Sibelius<\/strong> Concerto in D minor, Op.47[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”103509″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages\/103759"}],"collection":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/comments?post=103759"}],"version-history":[{"count":4,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages\/103759\/revisions"}],"predecessor-version":[{"id":103793,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages\/103759\/revisions\/103793"}],"wp:attachment":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/media?parent=103759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}