{"id":103529,"date":"2022-03-05T14:56:24","date_gmt":"2022-03-05T14:56:24","guid":{"rendered":"http:\/\/seoulcompetition.com\/en\/?page_id=103529"},"modified":"2022-04-01T09:22:03","modified_gmt":"2022-04-01T09:22:03","slug":"repertoire-2022","status":"publish","type":"page","link":"http:\/\/seoulcompetition.com\/en\/repertoire-2022\/","title":{"rendered":"Repertoire 2022"},"content":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”103509″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ shape_top_color=”color-wayh” shape_top_opacity=”25″ shape_top_index=”0″ row_name=”Welcome” uncode_shortcode_id=”205691″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette” shape_top_color_type=”uncode-palette” row_height_pixel=”120″][vc_column column_width_use_pixel=”yes” position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_font=”font-136269″ text_size=”fontsize-155944″ text_weight=”400″ text_space=”fontspace-781688″ sub_lead=”yes” sub_reduced=”yes” uncode_shortcode_id=”855336″ subheading=”Repertoire”]2022 Violin[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”204748″][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”134719″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”140758″][vc_column_text uncode_shortcode_id=”575204″][FIRST ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”107669″ css=”.vc_custom_1646492269816{padding-left: 10px !important;}”]All Competition participants will be required to play 1, 2, and 3[\/vc_column_text][vc_column_text uncode_shortcode_id=”195845″ css=”.vc_custom_1646492988328{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n
1. N. Paganini<\/strong><\/td>\nObligatory Caprice Op.1 no.24 and one of free choice from 24 caprices<\/td>\n<\/tr>\n
2. J. S. Bach <\/strong><\/td>\nFirst and second movement from one of the Solo Sonatas (BWV 1001, 1003 and 1005)<\/span><\/td>\n<\/tr>\n
3. W. A. Mozart<\/strong><\/td>\nAny first movement of following concertos K.207, K.211, K.216, K.218 and K.219.
\n(Cadenza must be included and the type of cadenza is at competitior’s discretion)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”195966″][SECOND ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”136063″ css=”.vc_custom_1646493151607{padding-left: 10px !important;}”]Competitors will be required to play 1 and 2[\/vc_column_text][vc_column_text uncode_shortcode_id=”450592″ css=”.vc_custom_1648558343292{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n
1. One of the following violin-piano sonatas: (to be performed all the movements)<\/td>\n<\/tr>\n
\n
L. v. Beethoven<\/strong><\/div>\n<\/td>\n
Sonata No.1 in D major, Op.12
\nSonata No.2 in A major, Op.12
\nSonata No.3 in E-flat major, Op.12
\nSonata No.4 in A minor, Op.23
\nSonata No.6 in A major, Op.30 <\/span><\/td>\n<\/tr>\n
2. One of the following pieces: (to be performed all the movements)<\/td>\n<\/tr>\n
\n
J. Corigliano<\/strong><\/div>\n<\/td>\n
“Stomp” for Violin Solo<\/td>\n<\/tr>\n
\n
H. Ernst<\/strong><\/div>\n<\/td>\n
Grand Caprice for Violin Solo Op. 26, “Erlk\u00f6nig”<\/td>\n<\/tr>\n
\n
D. Ludwig<\/strong><\/div>\n<\/td>\n
Five Ladino Songs for Violin Solo<\/span><\/td>\n<\/tr>\n
\n
Jeajoon Ryu<\/strong><\/div>\n<\/td>\n
Capriccio for Violin Solo<\/span><\/td>\n<\/tr>\n
\n
E. Ysa\u00ffe<\/strong><\/div>\n<\/td>\n
Sonata No.3 in D minor for solo violin, Op.27 or
\nSonata No.6 in E major for solo violin, Op.27<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”188747″][SEMIFINAL ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”943770″ css=”.vc_custom_1646493933367{padding-left: 10px !important;}”]Competitors will be required to play 1, 2, and 3 (Performance time may not exceed 45mins)[\/vc_column_text][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”953133″][vc_column_inner width=”3\/4″][vc_column_text uncode_shortcode_id=”165191″ css=”.vc_custom_1648804919319{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1. The 2022 Commissioned Work will be sent to each particitants who are accepted to Preliminary round at least two months prior to the Compitition. (Approximately 5minutes in length.)<\/td>\n<\/tr>\n
2. One violin-piano sonata from the following list:<\/td>\n<\/tr>\n
B. Bart\u00f3k<\/strong><\/span><\/td>\nSonata No.2 in C major, Sz. 76<\/td>\n<\/tr>\n
J. Brahms<\/strong><\/span><\/td>\nSonata No.1 in G major, Op. 78
\nSonata No.2 in A major, Op. 100
\nSonata No.3 in D minor, Op. 108<\/span><\/td>\n<\/tr>\n
C. Debussy<\/strong><\/span><\/td>\nSonata No.3 in G minor<\/span><\/td>\n<\/tr>\n
G. Enescu<\/strong><\/span><\/td>\nSonata No.2 in F minor, Op.6
\nSonata No.3 in A minor, Op.25 <\/span><\/td>\n<\/tr>\n
G. Faure<\/strong><\/span><\/td>\nSonata No.1 in A major, Op.13<\/span><\/td>\n<\/tr>\n
E. Grieg<\/strong><\/span><\/td>\nSonata No.2 in G major, Op.13
\nSonata No.3 in C minor, Op.45<\/span><\/td>\n<\/tr>\n
L. Jan\u00e1\u010dek <\/strong><\/span><\/td>\nSonata<\/span><\/td>\n<\/tr>\n
L. Kirchner<\/strong><\/span><\/td>\nSonata Concertante<\/span><\/td>\n<\/tr>\n
S. Prokofiev<\/strong><\/span><\/td>\nSonata No.1 in F minor, Op.80
\nSonata No.2 in D major, Op.94a<\/span><\/td>\n<\/tr>\n
M. Ravel<\/strong><\/span><\/td>\nSonata No.2 in G major<\/span><\/td>\n<\/tr>\n
O. Respighi <\/strong><\/span><\/td>\n Sonata in B minor<\/span><\/td>\n<\/tr>\n
C. Saint-Sa\u00ebns<\/strong><\/span><\/td>\nSonata No.1 in D minor, Op. 75<\/span><\/td>\n<\/tr>\n
F. Schubert<\/strong><\/span><\/td>\nSonata in A major, Op.162
\nFantasy in C major, Op.159<\/span><\/td>\n<\/tr>\n
E. Schulhoff<\/strong><\/span><\/td>\nSonata No.2, WV 91<\/span><\/td>\n<\/tr>\n
R. Schumann<\/strong><\/span><\/td>\nSonata No.1 in A minor, Op.105
\nSonata No.2 in D minor, Op.121<\/span><\/td>\n<\/tr>\n
R. Strauss<\/strong><\/span><\/td>\nSonata in E-flat major, Op.18<\/span><\/td>\n<\/tr>\n
3. A virtuoso work of the competitor\u2019s choice, within 15 minutes (excluding pieces for solo violin)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”438533″][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”490233″ css=”.vc_custom_1646580770284{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1. The 2022 Commissioned Work will be sent to each particitants who are accepted to Preliminary round at least two months prior to the Compitition. (Approximately 5minutes in length.)<\/td>\n<\/tr>\n
2. One violin-piano sonata from the following list:<\/td>\n<\/tr>\n
B. Bart\u00f3k<\/strong><\/span><\/td>\nSonata No.2 in, Sz.76<\/td>\n<\/tr>\n
J. Brahms<\/strong><\/span><\/td>\nSonata No.1 in G major, Op. 78
\nSonata No.2 in A major, Op. 100
\nSonata No.3 in D minor, Op. 108<\/span><\/td>\n<\/tr>\n
C. Debussy<\/strong><\/span><\/td>\nSonata No.3 in G minor<\/span><\/td>\n<\/tr>\n
G. Enescu<\/strong><\/span><\/td>\nSonata No.2 in F minor, Op.6
\nSonata No.3 in A minor, Op.25 <\/span><\/td>\n<\/tr>\n
G. Faure<\/strong><\/span><\/td>\nSonata No.1 in A major, Op.13<\/span><\/td>\n<\/tr>\n
E. Grieg<\/strong><\/span><\/td>\nSonata No.2 in G major, Op.13
\nSonata No.3 in C minor, Op.45<\/span><\/td>\n<\/tr>\n
L. Jan\u00e1\u010dek <\/strong><\/span><\/td>\nSonata<\/span><\/td>\n<\/tr>\n
L. Kirchner<\/strong><\/span><\/td>\nSonata Concertante<\/span><\/td>\n<\/tr>\n
S. Prokofiev<\/strong><\/span><\/td>\nSonata No.1 in F minor, Op.80
\nSonata No.2 in D major, Op.94a<\/span><\/td>\n<\/tr>\n
M. Ravel<\/strong><\/span><\/td>\nSonata No.2 in G major<\/span><\/td>\n<\/tr>\n
O. Respighi <\/strong><\/span><\/td>\n Sonata in B minor<\/span><\/td>\n<\/tr>\n
C. Saint-Sa\u00ebns<\/strong><\/span><\/td>\nSonata No.1 in D minor, Op. 75<\/span><\/td>\n<\/tr>\n
F. Schubert<\/strong><\/span><\/td>\nSonata in A major, Op.162
\nFantasy in C major, Op.159<\/span><\/td>\n<\/tr>\n
E. Schulhoff<\/strong><\/span><\/td>\nSonata No.2, WV 91<\/span><\/td>\n<\/tr>\n
R. Schumann<\/strong><\/span><\/td>\nSonata No.1 in A minor, Op.105
\nSonata No.2 in D minor, Op.121<\/span><\/td>\n<\/tr>\n
R. Strauss<\/strong><\/span><\/td>\nSonata in E-flat major, Op.18<\/span><\/td>\n<\/tr>\n
3. A virtuoso work of the competitor\u2019s choice, within 15 minutes (excluding pieces for solo violin)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=”163999″][FINAL ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”139203″ css=”.vc_custom_1646581974264{padding-left: 10px !important;}”]Competitors will perform one of the following concertos with the orchestra. Cadenza must be included and the type of cadenza is at competitior’s discretion.[\/vc_column_text][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”131176″][vc_column_inner width=”3\/4″][vc_column_text uncode_shortcode_id=”517281″ css=”.vc_custom_1646581903172{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
B. Bart\u00f3k<\/strong><\/span><\/td>\nConcerto No.2, Sz.112<\/span><\/td>\n<\/tr>\n
L. v. Beethoven<\/strong><\/span><\/td>\nConcerto in D major, Op.61<\/span><\/td>\n<\/tr>\n
J. Brahms<\/strong><\/span><\/span><\/td>\nConcerto in D major, Op.77<\/span><\/td>\n<\/tr>\n
A. Dvo\u0159\u00e1k <\/strong><\/span><\/span><\/td>\nConcerto in A minor, Op.53<\/span><\/td>\n<\/tr>\n
E. Lalo<\/strong><\/span><\/span><\/td>\nSymphonie espagnole, Op.21 (All 5 movments)<\/span><\/span><\/td>\n<\/tr>\n
F. Mendelssohn<\/strong><\/span><\/span><\/td>\nConcerto in E minor, Op.64<\/span><\/td>\n<\/tr>\n
S. Prokofiev<\/strong><\/span><\/span><\/td>\nConcerto No.1 in D major, Op.19
\nConcerto No.2 in G minor, Op.63 <\/span><\/td>\n<\/tr>\n
C. Saint-Sa\u00ebns<\/strong><\/span><\/span><\/td>\nConcerto No.3 in B minor, Op.61<\/span><\/td>\n<\/tr>\n
D. Shostakovich<\/strong><\/span><\/span><\/td>\nConcerto No.1 in A minor, Op.99<\/span><\/td>\n<\/tr>\n
J. Sibelius<\/strong><\/span><\/span><\/td>\nConcerto in D minor, Op.47<\/span><\/td>\n<\/tr>\n
P. I. Tchaikovsky<\/strong><\/span><\/span><\/td>\nConcerto in D major, Op.35 <\/span><\/td>\n<\/tr>\n
W. Walton<\/strong><\/span><\/span><\/td>\nConcerto<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”158209″][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”177426″ css=”.vc_custom_1646581908576{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
B. Bart\u00f3k<\/strong><\/span><\/td>\nConcerto No.2, Sz.112<\/span><\/td>\n<\/tr>\n
L. v. Beethoven<\/strong><\/span><\/td>\nConcerto in D major, Op.61<\/span><\/td>\n<\/tr>\n
J. Brahms<\/strong><\/span><\/span><\/td>\nConcerto in D major, Op.77<\/span><\/td>\n<\/tr>\n
A. Dvo\u0159\u00e1k <\/strong><\/span><\/span><\/td>\nConcerto in A minor, Op.53<\/span><\/td>\n<\/tr>\n
E. Lalo<\/strong><\/span><\/span><\/td>\nSymphonie espagnole, Op.21 (All 5 movments)<\/span><\/span><\/td>\n<\/tr>\n
F. Mendelssohn<\/strong><\/span><\/span><\/td>\nConcerto in E minor, Op.64<\/span><\/td>\n<\/tr>\n
S. Prokofiev<\/strong><\/span><\/span><\/td>\nConcerto No.1 in D major, Op.19
\nConcerto No.2 in G minor, Op.63 <\/span><\/td>\n<\/tr>\n
C. Saint-Sa\u00ebns<\/strong><\/span><\/span><\/td>\nConcerto No.3 in B minor, Op.61<\/span><\/td>\n<\/tr>\n
D. Shostakovich<\/strong><\/span><\/span><\/td>\nConcerto No.1 in A minor, Op.99<\/span><\/td>\n<\/tr>\n
J. Sibelius<\/strong><\/span><\/span><\/td>\nConcerto in D minor, Op.47<\/span><\/td>\n<\/tr>\n
P. I. Tchaikovsky<\/strong><\/span><\/span><\/td>\nConcerto in D major, Op.35 <\/span><\/td>\n<\/tr>\n
W. Walton<\/strong><\/span><\/span><\/td>\nConcerto<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=”119620″][NOTICE]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”128554″ css=”.vc_custom_1646495010873{padding-left: 10px !important;}”]<\/p>\n

1. No work can be repeated during the First, Second, Semifinal, and Final Rounds.<\/div>\n
2. All works muct be performed by memory, with exception of (1) Sonata with piano, (2) Capriccio by Jeajoon Ryu and (3) Five Ladino Songs by David Ludwig in the Second Round, (4) Commissioned Work in the Semifinal Round.<\/div>\n
3. Repeats will be left to the discretion of the candidate.(No repetition for the Beethoven’s sonatas in the 2nd round.)<\/div>\n
4. Changes in the submitted repertoire of all rounds may be made only with the permission of the Secretariat. Competitors must notify the Secretariat of any changes in writing no later than August 26, 2022.<\/div>\n
5. For all rounds, the order of the works for performance will be decided by the competitor.<\/div>\n
6. Performances times will be strictly observed. Performances which exceed the specified time limit may be interrupted by the Jury.<\/div>\n
7. Every round of the competition is open to the public.<\/div>\n

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