{"id":103224,"date":"2022-02-15T03:10:11","date_gmt":"2022-02-15T03:10:11","guid":{"rendered":"http:\/\/seoulcompetition.com\/en\/?page_id=103224"},"modified":"2022-02-15T03:10:11","modified_gmt":"2022-02-15T03:10:11","slug":"1st-prize-kong-byung-woo","status":"publish","type":"page","link":"http:\/\/seoulcompetition.com\/en\/1st-prize-kong-byung-woo\/","title":{"rendered":"[1st Prize] KONG Byung Woo"},"content":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”103000″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ shape_top_color=”color-wayh” shape_top_opacity=”25″ shape_top_index=”0″ row_name=”Welcome” uncode_shortcode_id=”138739″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette” shape_top_color_type=”uncode-palette” row_height_pixel=”120″ shape_dividers=””][vc_column column_width_use_pixel=”yes” position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_font=”font-136269″ text_size=”fontsize-155944″ text_weight=”400″ text_space=”fontspace-781688″ sub_lead=”yes” sub_reduced=”yes” uncode_shortcode_id=”168165″ subheading=”Prize Winners”]2007 Voice[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”204748″][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”0″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”128758″][vc_column column_width_percent=”100″ position_horizontal=”left” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”282015″][vc_single_image media=”103028″ media_width_use_pixel=”yes” uncode_shortcode_id=”161678″ media_width_pixel=”400″][\/vc_column][vc_column width=”1\/2″][vc_single_image media=”103029″ media_width_use_pixel=”yes” uncode_shortcode_id=”470688″ media_width_pixel=”400″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”572689″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”301592″][1st Prize] KONG Byung Woo[\/vc_custom_heading][vc_single_image media=”103030″ media_lightbox=”yes” media_width_percent=”100″ border=”yes” shadow=”yes” uncode_shortcode_id=”182669″][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”212758″]<\/p>\n

Baritone
\nNationality Korea
\nDate of Birth 1974. 8. 13<\/strong><\/span><\/p>\n

 <\/p>\n

Education<\/strong>
\n\u2022 Ph.D., CNIPAL, France
\n\u2022 B.M., Seoul National University, Korea<\/p>\n

Teachers<\/strong> \u2022 Yvonne MINTON \u2022 Philip KANG<\/p>\n

Prize<\/strong>
\n\u2022 Grand Prize, International Singing Competition in 2000, City of Toulouse, France
\n\u2022 2nd Prize, Paris International Singing Competition in 2001, France
\n\u2022 1st Prize, Marmande International Singing Competition in 2002, France<\/p>\n

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[Programme]
\nFirst Stage <\/strong>
\n\u2022 S. Donaudy – O del mio amato ben
\n\u2022 G. Verdi – Alzati!… Eri tu macchiavi quell’ anima [Un Ballo in Maschera]<\/p>\n

Second Stage<\/strong>
\n\u2022 KIM Youn Jun – Cheong-San Eh Sal Li La
\n\u2022 R. Strauss – Heimliche Aufforderung
\n\u2022 C. Gounod – Avant de quitter ces lieux [Faust]
\n\u2022 R. Leoncavallo – Si pu\u00f2? [I Pagliacci]<\/p>\n

Semifinal Stage<\/strong>
\n\u2022 H. Duparc – L’invitation au voyage
\n\u2022 G. Rossini – Largo al factotum della citt\u00e0 [Il barbi\u00e8re di Siviglia]
\n\u2022 P. I. Tchaikovsky – \u0421\u043d\u043e\u0432\u0430, \u043a\u0430\u043a \u043f\u0440\u0435\u0436\u0434\u0435, \u043e\u0434\u0438\u043d(Again, as before alone)
\n\u2022 P. I. Tchaikovsky – \u042f \u0432\u0430\u0441 \u043b\u044e\u0431\u043b\u044e [Pique Dame]<\/p>\n

Final Stage I<\/strong>
\n\u2022 KIM Youn Jun – Cheong-San Eh Sal Li La
\n\u2022 S. Donaudy – O del mio amato ben
\n\u2022 G. Verdi – Non t’accostare all’urna
\n\u2022 P. I. Tchaikovsky – \u0421\u043d\u043e\u0432\u0430, \u043a\u0430\u043a \u043f\u0440\u0435\u0436\u0434\u0435, \u043e\u0434\u0438\u043d(Again, as before alone)
\n\u2022 H. Duparc – L’invitation au voyage
\n\u2022 H. Berlioz – Le spectre de la rose
\n\u2022 F. Liszt – Im Rhein, im sch\u00f6nen Strome
\n\u2022 R. Strauss – Heimliche Aufforderung<\/p>\n

Final Stage II<\/strong>
\n\u2022 G. Verdi – Alzati!… Eri tu macchiavi quell’ anima [Un Ballo in Maschera]<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”135788″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”128876″][2nd Prize] HWANG Byoung Nam[\/vc_custom_heading][vc_single_image media=”103031″ media_lightbox=”yes” media_width_percent=”100″ border=”yes” shadow=”yes” uncode_shortcode_id=”152522″][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”614277″]<\/p>\n

Tenor
\nNationality Korea
\nDate of Birth 1976. 1. 30<\/strong><\/span><\/p>\n

 <\/p>\n

Education<\/strong>
\n\u2022 Currently, attending at Musikhochschule f\u00fcr Detmold, Germany
\n\u2022 B.M., Chugye University for the arts, Korea<\/p>\n

Teachers<\/strong> \u2022 Markus K\u00d6HLER \u2022 CHOI Soo Il<\/p>\n

Prize <\/strong>
\n\u2022 2nd Prize, Madama Butterfly International Concours in 2006, Japan
\n\u2022 2nd Prize, International Ferruccio Tagliavini Singing Competition in 2006, Austria<\/span><\/p>\n

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[Programme]
\nFirst Stage <\/strong>
\n\u2022 F. P. Schubert – Erlk\u00f6nig
\n\u2022 G. Verdi – Parmi veder le lagrime [Rigoletto]
\n
\nSecond Stage <\/strong>
\n\u2022 HYUN Jei Myung – San Deul Ba-Ram
\n\u2022 G. Bizet – La fleur que tu m’avais jet\u00e9e [Carmen]
\n\u2022 R. Strauss – Zueignung
\n\u2022 F. Cil\u00e8a – Il lamento di Federico [L’Arlesiana]
\n
\nSemifinal Stage <\/strong>
\n\u2022 S. Barber – Now have I fed and eaten up the rose
\n\u2022 F. P. Tosti – Non t’amo pi\u00f9
\n\u2022 G. Puccini – Addio, fiorito asil [Madama Butterfly]
\n\u2022 C. M. Weber – Nein, l\u00e4nger trag’ ich nicht die Qualen [Der Freisch\u00fctz]
\n
\nFinal Stage I <\/strong>
\n\u2022 H. Duparc – Chanson triste
\n\u2022 P. I. Tchaikovsky – \u0421\u0435\u0440\u0435\u043d\u0430\u0434\u0430 \u0414\u043e\u043d-\u0416\u0443\u0430\u043d\u0430 (Don Juan’s serenade)
\n\u2022 S. Barber – Now have I fed and eaten up the rose
\n\u2022 R. Strauss \u2013 Zueignung
\n\u2022 F. P. Schubert – Erlk\u00f6nig
\n\u2022 G. Verdi – In solitaria stanza
\n\u2022 F. P. Tosti – Non t’amo pi\u00f9
\n
\nFinal Stage II<\/strong>
\n\u2022 G. Bizet – La fleur que tu m’avais jet\u00e9e [Carmen]<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”135788″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”897061″][3rd Prize] Gerardo GARCIACANO[\/vc_custom_heading][vc_single_image media=”103032″ media_lightbox=”yes” media_width_percent=”100″ border=”yes” shadow=”yes” uncode_shortcode_id=”204285″][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”334934″]<\/p>\n

Baritone
\nNationality Mexico
\nDate of Birth 1972. 1. 31<\/strong><\/span><\/p>\n

 <\/p>\n

Education<\/strong>
\n\u2022 Diploma, Royal Conservatory of the Hague, Netherlands
\n\u2022 M.M., Indiana University, Indiana, USA
\n\u2022 B.M., University of North Texas, Texas, USA<\/p>\n

Teachers<\/strong> \u2022 Diane FORLANO \u2022 Giorgio TOZZI<\/p>\n

Prize<\/strong>
\n\u2022 Finalist, Concours international d’art lyrique de Strasburg in 2007, France
\n\u2022 1st Prize, Schlossoper Haldenstein Competition in 2005, Switzerland<\/p>\n

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[Programme]
\nFirst Stage
\n<\/strong>\u2022 A. Copland – At the River
\n\u2022 W. A. Mozart – Hai gi\u00e0 vinta la causa [Le nozze di Figaro]<\/p>\n

Second Stage <\/strong>
\n\u2022 KIM Youn Jun – Cheong-San Eh Sal Li La
\n\u2022 F. Obradors – El vito
\n\u2022 E. Korngold – Mein Sehnen, mein W\u00e4hnen [Die tote Stadt]
\n\u2022 G. Rossini – Largo al factotum [Il barbi\u00e8re di Siviglia]<\/p>\n

Semifinal Stage <\/strong>
\n\u2022 W. A. Mozart – An Chlo\u00eb
\n\u2022 V. Bellini – Malinconia, ninfa gentile
\n\u2022 A. Thomas – \u00d4 vin, dissipe la tristesse [Hamlet]
\n\u2022 C. Gounod – Avant de quitter ces lieux [Faust]<\/p>\n

Final Stage I<\/strong>
\n\u2022 H. Duparc – Chanson triste
\n\u2022 G. Faur\u00e9 – Au cimeti\u00e8re
\n\u2022 W. A. Mozart – An Chlo\u00eb
\n\u2022 R. Schumann – Ich grolle nicht
\n\u2022 G. Rossini – L’esule
\n\u2022 V. Bellini – Malinconia, ninfa gentile
\n\u2022 A. Copland – At the River
\n\u2022 F. Obradors – El vito<\/p>\n

Final Stage II<\/strong>
\n\u2022 G. Rossini – Largo al factotum [Il barbi\u00e8re di Siviglia]<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”135788″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”660867″][4th Prize] KIM Joo Taek[\/vc_custom_heading][vc_single_image media=”103033″ media_lightbox=”yes” media_width_percent=”100″ border=”yes” shadow=”yes” uncode_shortcode_id=”125262″][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”102065″]<\/p>\n

Baritone
\nNationality Korea
\nDate of Birth 1986. 9. 9<\/strong><\/span><\/p>\n

 <\/p>\n

Education<\/strong>
\n\u2022 Currently, attending at Conservatorio “G. Verdi” di Milano, Italy
\n\u2022 Sunhwa Arts High School, Korea<\/span><\/p>\n

Teachers<\/strong> \u2022 Stelia DOZ \u2022 SHIM Eun Sook<\/p>\n

Prize<\/strong>
\n\u2022 1st Prize, Concorso Internazionale di canto Lirico “Festival Note d’Estate a Campolieto”in 2007, Italy
\n\u2022 4th Prize & Special Prize, Concorso Internazionale Di Musica G. B. Viotti in 2006, Italy
\n\u2022 1st Prize, YAMAHA Music Foundation of Europe(YMFE) Scholarship Competition in 2006, Italy<\/p>\n

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[Programme]
\nFirst Stage <\/strong>
\n\u2022 F. P. Tosti – Non t’amo pi\u00f9
\n\u2022 G. Donizetti – Di tua beltade immagine [Poliuto]<\/p>\n

Second Stage <\/strong>
\n\u2022 KIM Youn Jun – Cheong-San Eh Sal Li La
\n\u2022 C. Gounod – Avant de quitter ces lieux [Faust]
\n\u2022 M. Ravel – Chanson \u00e0 boire
\n\u2022 W. A. Mozart – Rivolgete a lui lo sguardo [Cos\u00ec fan tutte]
\n
\nSemifinal Stage <\/strong>
\n\u2022 G. Donizetti – Una lacrima
\n\u2022 W. A. Mozart – Hai gi\u00e0 vinta la causa [Le Nozze di Figaro]
\n\u2022 F. Poulenc – La belle jeunesse
\n\u2022 G. Rossini – Largo al factotum della citt\u00e0 [Il barbi\u00e8re di Siviglia]
\n
\nFinal Stage I<\/strong>
\n\u2022 F. P. Schubert – Gruppe aus dem Tartarus
\n\u2022 F. P. Tosti – Non t’amo pi\u00f9
\n\u2022 M. Ravel – Chanson \u00e0 boire
\n\u2022 A. Beach – The year’s at the spring
\n\u2022 G. Donizetti – Una lacrima
\n\u2022 P. I. Tchaikovsky – \u0421\u0435\u0440\u0435\u043d\u0430\u0434\u0430 \u0414\u043e\u043d-\u0416\u0443\u0430\u043d\u0430 (Don Juan’s serenade)
\n\u2022 F. Poulenc – La belle jeunesse
\n\u2022 R. Schumann – Der Contrabandiste
\n
\nFinal Stage II<\/strong>
\n\u2022 C. Gounod – Avant de quitter ces lieux [Faust]<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”135788″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”211039″][4th Prize] Danielle TALAMANTES[\/vc_custom_heading][vc_single_image media=”103034″ media_lightbox=”yes” media_width_percent=”100″ border=”yes” shadow=”yes” uncode_shortcode_id=”100866″][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”595884″]<\/p>\n

Soprano
\nNationality USA
\nDate of Birth 1977. 3. 3<\/strong><\/span><\/p>\n

 <\/p>\n

Education<\/strong>
\n\u2022 M.M., Vocal Performance and Pedagogy, Westminster Choir College, USA
\n\u2022 B.A., Music Education and Vocal Performance, Virginia Tech University, Virginia, USA<\/span><\/p>\n

Teachers<\/strong> \u2022 Elizabeth DANIELS \u2022 Daniel PRATT<\/p>\n

Prize <\/strong>
\n\u2022 1st Prize, DC Music Federation Competition in 2006, USA
\n\u2022 1st Prize, NATSAA Competition in 2006, USA<\/p>\n

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[Programme]
\nFirst Stage <\/strong>
\n\u2022 G. Donizetti – Quel guardo il cavaliere… So anch’io [Don Pasquale]
\n\u2022 L. Larsen – Anne Boleyn<\/p>\n

Second Stage <\/strong>
\n\u2022 D. Moore – Always through the changing [The Ballad of Baby Doe]
\n\u2022 J. Strauss – Mein Herr Marquis [Die Fledermaus]
\n\u2022 M. Sandoval – Vola farfalletta
\n\u2022 IM Gueng Soo – Kang Gun Nuh Bom I O Deut
\n
\nSemifinal Stage <\/strong>
\n\u2022 J. Massenet – Adieu, notre petite table [Manon]
\n\u2022 W. A. Mozart – Bester J\u00fcngling [Die Schauspieldirektor]
\n\u2022 R. Strauss – C\u00e4cilie
\n\u2022 S. Rachmaninoff – \u0412\u0435\u0441\u0435\u043d\u043d\u0438\u0435 \u0432\u043e\u0434\u044b (Spring Waters)
\n
\nFinal Stage I<\/strong>
\n\u2022 M. Sandoval – Vola farfalletta
\n\u2022 H. Duparc – L’invitation au voyage
\n\u2022 G. Bizet – Ouvre ton coeur
\n\u2022 J. Marx – Selige Nacht
\n\u2022 R. Strauss – C\u00e4cilie
\n\u2022 L. Larsen – Anne Boleyn
\n\u2022 S. Rachmaninoff – \u0412\u0435\u0441\u0435\u043d\u043d\u0438\u0435 \u0432\u043e\u0434\u044b (Spring Waters)
\n
\nFinal Stage II<\/strong>
\n\u2022 G. Donizetti – Quel guardo il cavaliere… So anch’io [Don Pasquale]<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”135788″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”797641″][6th Prize] LEE Eung Kwang[\/vc_custom_heading][vc_single_image media=”103035″ media_lightbox=”yes” media_width_percent=”100″ border=”yes” shadow=”yes” uncode_shortcode_id=”466193″][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”115577″]<\/p>\n

Baritone
\nNationality Korea
\nDate of Birth 1981. 10. 10<\/strong><\/span><\/p>\n

 <\/p>\n

Education<\/strong>
\n\u2022 Diploma, Hochschule f\u00fcr Musik ‘Hanns Eisler’ Berlin, Germany
\n\u2022 B.M., M.M. Seoul National University, Korea<\/p>\n

Teachers<\/strong> \u2022 Anneliese Fried \u2022 KIM Sung Kil<\/p>\n

Prize <\/strong>
\n\u2022 2 Special Prize, Francisco Vi\u00f1as International Singing Competition in 2007, Spain
\n\u2022 4th Prize & Special Prize, Maria Callas Grand Prix in 2007, Greece
\n\u2022 1st Prize, Alexander Girardi International Singing Competition in 2006, Germany<\/p>\n

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[Programme]
\nFirst Stage <\/strong>
\n\u2022 W. A. Mozart – An Chlo\u00eb
\n\u2022 G. Verdi – Alzati!… Eri tu macchiavi quell’ anima [Un Ballo in Maschera]<\/p>\n

Second Stage<\/strong>
\n\u2022 G. Rossini – Largo al factotum della citt\u00e0 [Il barbi\u00e8re di Siviglia]
\n\u2022 KIM Youn Jun – Cheong-San Eh Sal Li La
\n\u2022 P. I. Tchaikovsky – \u0421\u0435\u0440\u0435\u043d\u0430\u0434\u0430 \u0414\u043e\u043d-\u0416\u0443\u0430\u043d\u0430 (Don Juan’s serenade)
\n\u2022 U. Giordano – Nemico della patria [Andrea Ch\u00e9nier]
\n
\nSemifinal Stage <\/strong>
\n\u2022 R. Leoncavallo – Si pu\u00f2? [I Pagliacci]
\n\u2022 O. Respighi – Nebbie
\n\u2022 F. Poulenc – La belle jeunesse
\n\u2022 A. Borodin – \u041d\u0438 \u0441\u043d\u0430, \u043d\u0438 \u043e\u0442\u0434\u044b\u0445\u0430 \u0438\u0437\u043c\u0443\u0447\u0435\u043d\u043d\u043e\u0439 \u0434\u0443\u0448\u0435 [Prince Igor]
\n
\nFinal Stage I<\/strong>
\n\u2022 W. A. Mozart – An Chloe
\n\u2022 J. Brahms – Unbewegte laue Luft
\n\u2022 H. Duparc – Chanson triste
\n\u2022 C. Ives – Memories
\n\u2022 F. P. Tosti – L’alba separa dalla luce l’ombra
\n\u2022 O. Respighi – Nebbie
\n\u2022 P. I. Tchaikovsky – \u0421\u0435\u0440\u0435\u043d\u0430\u0434\u0430 \u0414\u043e\u043d-\u0416\u0443\u0430\u043d\u0430 (Don Juan’s serenade)
\n\u2022 F. Poulenc – La belle jeunesse
\n
\nFinal Stage II<\/strong>
\n\u2022 U. Giordano – Nemico della patria [Andrea Ch\u00e9nier]<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text text_lead=”small” uncode_shortcode_id=”162325″]*updated November 2007[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

2007 Voice<\/p>\n","protected":false},"author":1,"featured_media":103030,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages\/103224"}],"collection":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/comments?post=103224"}],"version-history":[{"count":1,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages\/103224\/revisions"}],"predecessor-version":[{"id":103226,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages\/103224\/revisions\/103226"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/media\/103030"}],"wp:attachment":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/media?parent=103224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}