{"id":102633,"date":"2022-02-06T10:22:40","date_gmt":"2022-02-06T10:22:40","guid":{"rendered":"http:\/\/seoulcompetition.com\/en\/?page_id=102633"},"modified":"2022-03-01T14:01:49","modified_gmt":"2022-03-01T14:01:49","slug":"repertoire-2012","status":"publish","type":"page","link":"http:\/\/seoulcompetition.com\/en\/repertoire-2012\/","title":{"rendered":"Repertoire 2012"},"content":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”102605″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ shape_top_color=”color-wayh” shape_top_opacity=”25″ shape_top_index=”0″ row_name=”Welcome” uncode_shortcode_id=”171743″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette” shape_top_color_type=”uncode-palette” row_height_pixel=”120″][vc_column column_width_use_pixel=”yes” position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_font=”font-136269″ text_size=”fontsize-155944″ text_weight=”400″ text_space=”fontspace-781688″ sub_lead=”yes” sub_reduced=”yes” uncode_shortcode_id=”379651″ subheading=”Repertoire”]2012 Violin[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”204748″][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”134719″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”140758″][vc_column_text uncode_shortcode_id=”575204″][FIRST ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”211525″ css=”.vc_custom_1644142940120{padding-left: 10px !important;}”]All Competition competitors will be required to play 1), 2), and 3): [\/vc_column_text][vc_column_text uncode_shortcode_id=”660741″ css=”.vc_custom_1646142748331{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n
1) N. Paganini<\/strong><\/span><\/td>\nAny two Caprices for unaccompanied violin (excluding No. 13, 14, and 20)<\/td>\n<\/tr>\n
2)\u00a0J. S. Bach <\/strong><\/span><\/td>\nOne of the following Solo Sonatas or Partitas
\n(to be performed all the movements of the piece)<\/span>
\nSolo Sonata No.1 in G minor BWV 1001
\nSolo Sonata No.2 in A minor BWV 1003
\nSolo Sonata No.3 in C major BWV 1005
\nSolo Partita No.1 in B minor BWV 1002
\nSolo Partita No.2 in D minor BWV 1004
\nSolo Partita No.3 in E major BWV 1006<\/span><\/td>\n<\/tr>\n
3) One of the following works:<\/td>\n<\/tr>\n
W. A. Mozart<\/strong><\/td>\nAdagio in E Major, K.261 <\/span><\/td>\n<\/tr>\n
H. Wieniawski<\/strong><\/td>\nLegende in g minor, Op.17 <\/span><\/td>\n<\/tr>\n
P. I. Tchaikovsky<\/strong><\/td>\nM\u00e9ditation in d minor, Op.42, No.1<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”195966″][SECOND ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”919685″ css=”.vc_custom_1644144013516{padding-left: 10px !important;}”]Competitors will be required to play one of the following violin-piano concertos of W. A. Mozart. Competitors may select any of the available cadenzas(to be performed all the movements of the piece).[\/vc_column_text][vc_column_text uncode_shortcode_id=”915082″ css=”.vc_custom_1644144066722{padding-left: 10px !important;}”]<\/p>\n\n\n\n
Violin Concerto No.1 in B flat Major, K.207
\nViolin Concerto No.2 in D Major, K.211
\nViolin Concerto No.3 in G Major, K.216
\nViolin Concerto No.4 in D Major, K.218
\nViolin Concerto No.5 in A Major, K.219 <\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”188747″][SEMIFINAL ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”206932″ css=”.vc_custom_1644144138992{padding-left: 10px !important;}”]Competitors will be required to play 1), 2), and 3): [\/vc_column_text][vc_column_text uncode_shortcode_id=”673879″ css=”.vc_custom_1646142955957{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1) One of the commissioned pieces written specially for this competition by the Korean composers. The duration of each piece is about 10 minutes.<\/td>\n<\/tr>\n
2) One of the following violin-piano sonatas:<\/td>\n<\/tr>\n
L. v. Beethoven
\n<\/strong><\/td>\n		Sonata No.1 in D Major, Op.12 <\/span><\/td>\n<\/tr>\n
<\/td>\nSonata No. 2 in A Major, Op.12 <\/span><\/td>\n<\/tr>\n
<\/td>\nSonata No. 3 in E flat Major, Op.12 <\/span><\/td>\n<\/tr>\n
<\/td>\nSonata No. 4 in a minor, Op.23 <\/span><\/td>\n<\/tr>\n
<\/td>\nSonata No. 5 in F Major, Op.24 <\/span><\/td>\n<\/tr>\n
<\/td>\nSonata No. 6 in A Major, Op.30 <\/span><\/td>\n<\/tr>\n
<\/td>\nSonata No. 7 in c minor, Op.30 <\/span><\/td>\n<\/tr>\n
<\/td>\nSonata No. 8 in G Major, Op.30 <\/span><\/td>\n<\/tr>\n
<\/td>\nSonata No. 9 in A Major, Op.47 <\/span><\/td>\n<\/tr>\n
<\/td>\nSonata No. 10 in G Major, Op.96 <\/span><\/td>\n<\/tr>\n
F. P. Schubert<\/strong><\/td>\n Duo Sonata in A Major, Op.162(D.574) <\/span><\/td>\n<\/tr>\n
<\/td>\nFantasia in C Major, Op.159(D.934) <\/span><\/td>\n<\/tr>\n
R. Schumann<\/strong><\/td>\nSonata No.1 in a minor, Op.105 <\/span><\/td>\n<\/tr>\n
<\/td>\nSonata No. 2 in d minor, Op.121 <\/span><\/td>\n<\/tr>\n
J. Brahms<\/strong><\/td>\nSonata No. 1 in G Major, Op.78 <\/span><\/td>\n<\/tr>\n
<\/td>\nSonata No. 2 in A Major, Op.100 <\/span><\/td>\n<\/tr>\n
<\/td>\n Sonata No. 3 in d minor, Op.108 <\/span><\/td>\n<\/tr>\n
G. Faur\u00e9<\/strong><\/td>\n Sonata No.1 in A Major, Op. 13 <\/span><\/td>\n<\/tr>\n
<\/td>\nSonata No. 2 in e minor, Op. 108 <\/span><\/td>\n<\/tr>\n
B. Bart\u00f3k<\/strong><\/td>\nSonata No.1 in c sharp minor, Sz.75 <\/span><\/td>\n<\/tr>\n
<\/td>\nSonata No.2 in C Major, Sz.76 <\/span><\/td>\n<\/tr>\n
S. Prokofiev<\/strong><\/td>\nSonata No.1 in f minor, Op.80<\/span><\/td>\n<\/tr>\n
R. Strauss<\/strong><\/td>\nSonata in E flat Major, Op.18 <\/span><\/td>\n<\/tr>\n
K. Penderecki<\/strong><\/td>\nSonata No.2(1999)<\/span><\/td>\n<\/tr>\n
A. Schnittke<\/strong><\/td>\nSonata No.1(1963) <\/span><\/td>\n<\/tr>\n
<\/td>\n Sonata No.2 “quasi una sonata”(1968)<\/span><\/td>\n<\/tr>\n
3) A work of the competitor’s choice, no longer than 10 minutes duration (excluding solo pieces)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”163999″][FINAL ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”677018″ css=”.vc_custom_1644145279820{padding-left: 10px !important;}”]Competitors will be required to play one of the following concertos with the orchestra. Competitors may select any of the available cadenzas. [\/vc_column_text][vc_column_text uncode_shortcode_id=”655569″ css=”.vc_custom_1646143310665{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n
L. v. Beethoven<\/strong><\/span><\/td>\nConcerto in D Major, Op.61<\/td>\n<\/tr>\n
F. Mendelssohn <\/strong><\/span><\/td>\nConcerto in e minor, Op.64 <\/span><\/td>\n<\/tr>\n
J. Brahms<\/strong><\/span><\/td>\nConcerto in D Major, Op.77<\/span><\/td>\n<\/tr>\n
P. I. Tchaikovsky<\/strong><\/span><\/td>\nConcerto in D Major, Op.35 <\/span><\/td>\n<\/tr>\n
J. Sibelius <\/strong><\/span><\/td>\nConcerto in d minor, Op.47 <\/span><\/td>\n<\/tr>\n
B. Bart\u00f3k<\/strong><\/span><\/td>\nConcerto No.2 in b minor, Sz.112 <\/span><\/td>\n<\/tr>\n
S. Prokofiev<\/strong><\/span><\/td>\nConcerto No.2 in g minor, Op.63 <\/span><\/td>\n<\/tr>\n
D. Shostakovich<\/strong><\/span><\/td>\nConcerto No.1 in a minor, Op.99 <\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”119620″][NOTICE]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”176637″ css=”.vc_custom_1644145505374{padding-left: 10px !important;}”]<\/p>\n

1. No work can be repeated during the 1st<\/span>, 2nd<\/span>, Semifinal, and Final Rounds.<\/div>\n
2. All works must be performed by memory, with the exception of Sonata with piano and the commissioned pieces by the Korean composers to be performed in the Semifinal Round.<\/div>\n
3. Repeats will be left to the discretion of the candidate.<\/div>\n
4. Changes in the submitted repertoire of all rounds may be made only with the permission of the Secretariat. Competitors must notify the Secretariat of any changes in writing no later than February 24, 2012.<\/div>\n
5. For all rounds, the order of the works being performance will be decided by the competitor.<\/div>\n
6. Performance times will be strictly observed. Performances which exceed the specified time limit may be interrupted by the Jury.<\/div>\n
7. Every round of the competition is open to the public.<\/div>\n

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