{"id":102126,"date":"2021-12-15T03:14:42","date_gmt":"2021-12-15T03:14:42","guid":{"rendered":"http:\/\/seoulcompetition.com\/en\/?page_id=102126"},"modified":"2022-02-24T16:39:57","modified_gmt":"2022-02-24T16:39:57","slug":"repertoire-2018","status":"publish","type":"page","link":"http:\/\/seoulcompetition.com\/en\/repertoire-2018\/","title":{"rendered":"Repertoire 2018"},"content":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”102301″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ shape_top_color=”color-wayh” shape_top_opacity=”25″ shape_top_index=”0″ row_name=”Welcome” uncode_shortcode_id=”504267″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette” shape_top_color_type=”uncode-palette” row_height_pixel=”120″][vc_column column_width_use_pixel=”yes” position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_font=”font-136269″ text_size=”fontsize-155944″ text_weight=”400″ text_space=”fontspace-781688″ sub_lead=”yes” sub_reduced=”yes” uncode_shortcode_id=”136356″ subheading=”Repertoire”]2018 Violin[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”204748″][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”134719″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”140758″][vc_column_text uncode_shortcode_id=”575204″][FIRST ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”297400″ css=”.vc_custom_1639538937833{padding-left: 10px !important;}”]All Competition competitors will be required to play 1, 2, and 3:[\/vc_column_text][vc_column_text uncode_shortcode_id=”137208″ css=”.vc_custom_1639539454892{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n
1. N. Paganini<\/td>\nOne of free choice and obligatory Caprice no.11 op.1<\/td>\n<\/tr>\n
2. J. S. Bach<\/td>\nfirst and second movement from one of the Solo Sonatas<\/td>\n<\/tr>\n
3. W. A. Mozart<\/td>\nAny first movement of a concerto, including cadenza<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”195966″][SECOND ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”407314″ css=”.vc_custom_1639539541999{padding-left: 10px !important;}”]Competitors will be required to play 1 and 2:[\/vc_column_text][vc_column_text uncode_shortcode_id=”870622″ css=”.vc_custom_1645718585472{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n
1. One of the following violin-piano sonatas(to be performed all the movements of the piece):<\/td>\n<\/tr>\n
L. v. Beethoven<\/span><\/td>\nSonata No. 2 in A major, Op. 12
\nSonata No. 3 in E-flat major, Op. 12
\nSonata No. 4 in A minor, Op. 23
\nSonata No. 6 in A major, Op. 30
\nSonata No. 8 in G major, Op. 30<\/td>\n<\/tr>\n
2. One of the following solo violin sonatas(to be performed all the movements of the piece):<\/td>\n<\/tr>\n
E. Ysa\u00ffe<\/span><\/td>\nSonata No. 3 in D minor for solo violin, Op. 27
\nSonata No. 6 in E major for solo violin, Op. 27<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”188747″][SEMIFINAL ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”790410″ css=”.vc_custom_1639539928494{padding-left: 10px !important;}”]Competitors will be required to play 1, 2, and 3:[\/vc_column_text][vc_column_text uncode_shortcode_id=”114450″ css=”.vc_custom_1645720136547{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1. Commissioned Work: The commissioned work will be approximately 5-6 minutes in length and will be sent to each participants who are accepted into the Preliminary Round by December 29, 2017.<\/td>\n<\/tr>\n
2. One violin-piano sonata from the following list:<\/td>\n<\/tr>\n
B. Bart\u00f3k<\/span><\/td>\nSonata No. 2 in C major, Sz. 76<\/td>\n<\/tr>\n
C. Debussy<\/span><\/td>\nSonata No.3 in G minor<\/td>\n<\/tr>\n
G. Faur\u00e9<\/span><\/td>\nSonata No. 1 in A major, Op. 13<\/td>\n<\/tr>\n
E. Grieg<\/span><\/td>\nSonata No. 2 in G major, Op. 13 or Sonata No. 3 in C minor, Op. 45<\/td>\n<\/tr>\n
L. Jan\u00e1\u010dek<\/span><\/td>\nSonata<\/td>\n<\/tr>\n
S. Prokofiev<\/span><\/td>\nSonata No. 1 in F minor, Op. 80 or Sonata No. 2 in D major, Op. 94a<\/td>\n<\/tr>\n
M. Ravel<\/span><\/td>\nSonata in G major<\/td>\n<\/tr>\n
O. Respighi<\/span><\/td>\nSonata in B minor<\/td>\n<\/tr>\n
F. Schubert<\/span><\/td>\nSonata in A major, Op. 162 or Fantasia in C major, Op. 159<\/td>\n<\/tr>\n
R. Schumann<\/span><\/td>\nSonata No. 1 in A minor, Op.105 or Sonata No. 2 in D minor, Op. 121<\/td>\n<\/tr>\n
R. Strauss<\/span><\/td>\nSonata in E-flat major, Op. 18<\/td>\n<\/tr>\n
3. A virtuoso work of the competitor\u2019s choice, no longer than 10 minutes duration(excluding solo pieces)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”163999″][FINAL ROUND]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”774026″ css=”.vc_custom_1639540250273{padding-left: 10px !important;}”]Competitors will perform one of the following concertos with the orchestra. Competitors may select any of the available cadenzas.[\/vc_column_text][vc_column_text uncode_shortcode_id=”146585″ css=”.vc_custom_1645720798322{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
B. Bart\u00f3k<\/span><\/td>\nConcerto No. 2, Sz. 112<\/td>\n<\/tr>\n
J. Brahms<\/span><\/td>\nConcerto in D major, Op. 77<\/td>\n<\/tr>\n
A. Dvo\u0159\u00e1k<\/span><\/td>\nConcerto in A minor, Op. 53<\/td>\n<\/tr>\n
F. Mendelssohn<\/span><\/td>\nConcerto in E minor, Op. 64<\/td>\n<\/tr>\n
S. Prokofiev<\/span><\/td>\nConcerto No. 2 in G minor, Op. 63<\/td>\n<\/tr>\n
C. Saint-Sa\u00ebns<\/span><\/td>\nConcerto No.3 in B minor, Op. 61<\/td>\n<\/tr>\n
D. Shostakovich<\/span><\/td>\nConcerto No. 1 in A minor, Op. 77<\/td>\n<\/tr>\n
P. I. Tchaikovsky<\/span><\/td>\nConcerto in D major, Op. 35<\/td>\n<\/tr>\n
J. Sibelius<\/span><\/td>\nConcerto in D minor, Op. 47<\/td>\n<\/tr>\n
W. Walton<\/span><\/td>\nConcerto<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”119620″][NOTICE]<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”345588″ css=”.vc_custom_1639540526607{padding-left: 10px !important;}”]<\/p>\n

1. No work can be repeated during the First, Second, Semifinal, and Final Rounds.<\/div>\n
2. All works must be performed by memory, with the exception of Sonata with piano and the commissioned pieces by the Korean composers to be performed in the Semifinal Round.<\/div>\n
3. Repeats will be left to the discretion of the candidate.<\/div>\n
4. Changes in the submitted repertoire of all rounds may be made only with the permission of the Secretariat. Competitors must notify the Secretariat of any changes in writing no later than January 26, 2018.<\/div>\n
5. For all rounds, the order of the works for performance will be decided by the competitor.<\/div>\n
6. Performances times will be strictly observed. Performances which exceed the specified time limit may be interrupted by the Jury.<\/div>\n
7. Every round of the competition is open to the public.<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”102301″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages\/102126"}],"collection":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/comments?post=102126"}],"version-history":[{"count":4,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages\/102126\/revisions"}],"predecessor-version":[{"id":102128,"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/pages\/102126\/revisions\/102128"}],"wp:attachment":[{"href":"http:\/\/seoulcompetition.com\/en\/wp-json\/wp\/v2\/media?parent=102126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}