{"id":102036,"date":"2021-12-08T16:14:43","date_gmt":"2021-12-08T16:14:43","guid":{"rendered":"http:\/\/seoulcompetition.com\/en\/?page_id=102036"},"modified":"2022-01-14T06:43:02","modified_gmt":"2022-01-14T06:43:02","slug":"prize-winners-2019","status":"publish","type":"page","link":"http:\/\/seoulcompetition.com\/en\/prize-winners-2019\/","title":{"rendered":"Prize Winners 2019"},"content":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”102257″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ shape_top_color=”color-wayh” shape_top_opacity=”25″ shape_top_index=”0″ row_name=”Welcome” uncode_shortcode_id=”270519″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette” shape_top_color_type=”uncode-palette” row_height_pixel=”120″ shape_dividers=””][vc_column column_width_use_pixel=”yes” position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_font=”font-136269″ text_size=”fontsize-155944″ text_weight=”400″ text_space=”fontspace-781688″ sub_lead=”yes” sub_reduced=”yes” uncode_shortcode_id=”112612″ subheading=”Prize Winners”]2019 Voice[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”204748″][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”0″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”128758″][vc_column column_width_percent=”100″ position_horizontal=”left” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”282015″][vc_single_image media=”102044″ media_width_use_pixel=”yes” uncode_shortcode_id=”287602″ media_width_pixel=”400″][\/vc_column][vc_column width=”1\/2″][vc_single_image media=”102045″ media_width_use_pixel=”yes” uncode_shortcode_id=”128977″ media_width_pixel=”400″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”572689″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”197565″][2nd Prize] Hyeongyu Lee[\/vc_custom_heading][vc_single_image media=”102047″ media_lightbox=”yes” media_width_percent=”100″ border=”yes” shadow=”yes” uncode_shortcode_id=”221497″][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”326721″]Baritone
\nNationality<\/strong> Korea
\nDate of Birth<\/strong> 1989. 01. 08<\/p>\n

Teachers<\/strong>
\n\u2022 Heejun Yang<\/p>\n

Education<\/strong>
\n\u2022 School of Music, Korea National University of Arts, Seoul, Korea<\/p>\n

Prizes<\/strong>
\n\u2022 Gold Prize, Korea National Opera Concours, Seoul, Korea in 2017
\n\u2022 3rd<\/span> Prize, Joongang Music Concours, Seoul, Korea in 2016<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”111848″][Program]
\nAccompanist<\/strong> Ji Won Lee
\nFinal Round With<\/strong> Korean Symphony Orchestra(Conductor: Yun-Sung Chang)
\nFirst Round<\/strong>
\n\u2022 R. V. Williams<\/strong> The Vagabond
\n\u2022 U. Giordano<\/strong> Nemico della patria [Andrea Ch\u00e9nier]
\nSecond Round<\/strong>
\n\u2022 G. Verdi <\/strong>Cortigiani vil razza d\u2019annata [Rigoletto]
\n\u2022 R. Wagner <\/strong>O du mein holder Abendstern [Tannh\u00e4user]
\nSemifinal Round<\/strong>
\n\u2022 M. Rabel<\/strong> Chanson romanesque
\n\u2022 Yeon Jun Kim<\/strong> Cheongsane Sallira(To Live in the Green Mountains)
\n\u2022 W. A. Mozart<\/strong> Hai gi\u00e0 vinta la causa [Le Nozze di Figaro]
\n\u2022 G. Verdi <\/strong>\u00c8 sogno, o realt\u00e0? [Falstaff]
\nFinal Round<\/strong>
\n\u2022 R. Wagner<\/strong> O du mein holder Abendstern [Tannh\u00e4user]
\n\u2022 G. Verdi <\/strong>Alzati… Eri tu [Un Ballo in Maschera][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”135788″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”587807″][3rd Prize] Sungjun Cho[\/vc_custom_heading][vc_single_image media=”102048″ media_lightbox=”yes” media_width_percent=”100″ border=”yes” shadow=”yes” uncode_shortcode_id=”137053″][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”168766″]Bass
\nNationality<\/strong> Korea
\nDate of Birth<\/strong> 1993. 08. 07<\/p>\n

Teachers<\/strong>
\n\u2022 Kwan Dong Kim<\/p>\n

Education<\/strong>
\n\u2022 College of Music, Yonsei University, Seoul, Korea[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”967800″][Program]
\nAccompanist<\/strong> Su Jin Jeong
\nFinal Round With<\/strong> Korean Symphony Orchestra(Conductor: Yun-Sung Chang)
\nFirst Round<\/strong>
\n\u2022 L. Ronald<\/strong> Prelude
\n\u2022 G. Bizet <\/strong>Quand la flamme de l\u2019amour [La Jolie Fille de Perth]
\nSecond Round<\/strong>
\n\u2022 G. Verdi <\/strong>Il lacerato spirito [Simon Boccanegra]
\n\u2022 A. Boito<\/strong> Ecco il mondo [Mefistofele]
\nSemifinal Round<\/strong>
\n\u2022 Du Nam Cho <\/strong>Baetnorae(Boat Song)
\n\u2022 P. I. Tchaikovsky<\/strong> \u041d\u0435\u0442, \u0442\u043e\u043b\u044c\u043a\u043e \u0442\u043e\u0442, \u043a\u0442\u043e \u0437\u043d\u0430\u043b(None but the lonely heart)
\n\u2022 W. A. Mozart<\/strong> Non piu andrai [Le Nozze di Figaro]
\n\u2022 G. Verdi <\/strong>Come dal ciel precipita [Macbeth]
\nFinal Round<\/strong>
\n\u2022 G. Verdi <\/strong>Ella giammai m\u2019amo [Don Carlo]
\n\u2022 S. Rachmaninov<\/strong> \u041a\u0430\u0432\u0430\u0442\u0438\u043d\u0430 \u0410\u043b\u0435\u043a\u043e(Aleko’s Cavatina) [Aleko][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”135788″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”522308″][4th Prize] Konstantin Lee[\/vc_custom_heading][vc_single_image media=”102049″ media_lightbox=”yes” media_width_percent=”100″ border=”yes” shadow=”yes” uncode_shortcode_id=”462734″][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”315372″] Tenor
\nNationality<\/strong> Korea
\nDate of Birth<\/strong> 1988. 12. 12<\/span><\/p>\n

Teachers<\/strong>
\n\u2022 Carolyn James
\n\u2022 Hyun Jae Park<\/p>\n

Education<\/strong>
\n\u2022 Hochschule f\u00fcr Musik und Theater Hamburg, Hamburg, Germany
\n\u2022 College of Music, Seoul National University, Seoul, Korea<\/p>\n

Prizes<\/strong>
\n\u2022 1st<\/span> Prize, SWR Junge Opera Stars, Landau, Germany in 2017
\n\u2022 1<\/span>st<\/span> Prize, Neue Stimmen International Competition, G\u00fctersloh, Germany in 2013
\n\u2022 1<\/span>st <\/span>Prize, Dr. Luis Sigall International Music Competition, Vi\u00f1a del Mar, Chile in 2013 <\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”139419″][Program]
\nAccompanist<\/strong> Su Jin Choi
\n Final Round With<\/strong> Korean Symphony Orchestra(Conductor: Yun-Sung Chang)
\nFirst Round<\/strong>
\n\u2022 P. I. Tchaikovsky<\/strong> \u0421\u0435\u0440\u0435\u043d\u0430\u0434\u0430 \u0414\u043e\u043d \u0416\u0443\u0430\u043d\u0430(Don Juan\u2019s Serenade)
\n\u2022 G. Donizetti <\/strong>Tombe degli avi miei… Fra poco a me ricovero [Lucia di Lammermoor]
\nSecond Round<\/strong>
\n\u2022 G. Donizetti <\/strong>Una furtiva lagrima [L\u2019elisir d\u2019amore]
\n\u2022 F. Cilea<\/strong> Il lamento di Federico [L\u2019Arlesiana]
\nSemifinal Round<\/strong>
\n\u2022 W. A. Mozart<\/strong> Dies Bildnis ist bezaubernd sch\u00f6n [Die Zauberfl\u00f6te]
\n\u2022 R. Strauss<\/strong> Befreit
\n\u2022 G. Puccini <\/strong>Che gelida manina [La Boh\u00e8me]
\n\u2022 Du Nam Cho <\/strong>Baetnorae(Boat Song)
\nFinal Round<\/strong>
\n\u2022 G. Donizetti <\/strong>Una furtiva lagrima [L\u2019elisir d\u2019amore]
\n\u2022 G. Verdi <\/strong>Lunge da lei..De miei bollenti spiriti…O mio rimorso! [La Traviata][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”135788″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”143084″][5th Prize] Aleksandra Jovanovi\u0107[\/vc_custom_heading][vc_single_image media=”102050″ media_lightbox=”yes” media_width_percent=”100″ border=”yes” shadow=”yes” uncode_shortcode_id=”689873″][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”561767″]Soprano
\nNationality<\/strong> Serbia
\nDate of Birth<\/strong> 1990. 06. 01<\/span><\/p>\n

Teachers<\/strong>
\n\u2022 Aneta Ili\u0107<\/p>\n

Education<\/strong>
\n\u2022 Faculty of Music, University of Arts, Belgrade, Serbia<\/p>\n

Prizes<\/strong>
\n\u2022 Emmerich Smola Prize, SWR Junge Opernstars competition, Germany in 2019
\n\u2022 3rd<\/span> Prize, Singing Competition \u201cDie Meistersinger von N\u00fcrnberg\u201d
\n\u2022 3<\/span>rd<\/span> Prize, Ada Sari International Vocal Artistry Competition, Nowy Sacz, Poland in 2017<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”284691″][Program]
\nAccompanist <\/strong>Hyoung Jin Park
\nFinal Round With <\/strong>Korean Symphony Orchestra(Conductor: Yun-Sung Chang)
\nFirst Round<\/strong>
\n\u2022 E. Dell`Acqua<\/strong> Villanelle
\n\u2022 G. Donizetti<\/strong> Quel guardo il cavaliere… So anch\u2019io la virtu magica [Don Pasquale]
\nSecond Round<\/strong>
\n\u2022 G. Donizetti<\/strong> Ah, tardai troppo… O luce di quest\u2019anima [Linda di Chamounix]
\n\u2022 J. Offenbach<\/strong> Les oiseaux dans la charmille [Les Contes d\u2019Hoffmann]
\nSemifinal Round<\/strong>
\n\u2022 Dong Jin Kim<\/strong> Sin Arirang(New Arirang)
\n\u2022 B. Britten<\/strong> Be kind and courteous [A Midsummer Night\u2019s Dream]
\n\u2022 W. A. Mozart<\/strong> O zittre nicht mein lieber Sohn [Die Zauberfl\u00f6te]
\n\u2022 L. Arditi<\/strong> Il Bacio
\nFinal Round<\/strong>
\n\u2022 W. A. Mozart<\/strong> Der H\u00f6lle Rache kocht in meinem Herzen [Die Zauberfl\u00f6te]
\n\u2022 J. Offenbach<\/strong> Les oiseaux dans la charmille [Les Contes d\u2019Hoffmann][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”1″ top_divider=”gradient” bottom_divider=”gradient” uncode_shortcode_id=”135788″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ uncode_shortcode_id=”142472″][6th Prize] Batjargal Bayarsaikhan[\/vc_custom_heading][vc_single_image media=”102051″ media_lightbox=”yes” media_width_percent=”100″ border=”yes” shadow=”yes” uncode_shortcode_id=”202728″][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”191354″]Tenor
\nNationality<\/strong> Mongolia
\nDate of Birth<\/strong> 1990. 01. 11<\/span><\/p>\n

Teachers<\/strong>
\n\u2022 Bandi
\n\u2022 Gankhuyag<\/p>\n

Education<\/strong>
\n\u2022 Mongolian State University of Arts and Culture, Ulaanbaatar, Mongolia<\/p>\n

Prizes<\/strong>
\n\u2022 2nd<\/span> Prize, Pyongyang International Vocal Competition, Pyongyang, North Korea
\n\u2022 Best 20 singer, BBC Cardiff Singer of the world, Cardiff, United Kingdom
\n\u2022 Grand Prize, International Vocalists Contest of Bibigul Tolegenova, Astana, Kazakhstan<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text text_lead=”small” uncode_shortcode_id=”148826″][Program]
\nAccompanist <\/strong>Namuun Enkhbayar
\nFinal Round With<\/strong> Korean Symphony Orchestra(Conductor: Yun-Sung Chang)
\nFirst Round<\/strong>
\n\u2022 G. Puccini <\/strong>Che gelida manina [La Boh\u00e8me]
\n\u2022 S. Rachmaninov<\/strong> \u041d\u0435 \u043f\u043e\u0439, \u043a\u0440\u0430\u0441\u0430\u0432\u0438\u0446\u0430, \u043f\u0440\u0438 \u043c\u043d\u0435 (Ne poy, krasavitsa, pri mne)
\nSecond Round<\/strong>
\n\u2022 C. Gounod<\/strong> Salut! demeure chaste et pure [Faust]
\n\u2022 F. Cilea<\/strong> E la solita storia del pastore [L\u2019Arlesiana]
\nSemifinal Round<\/strong>
\n\u2022 W. A. Mozart <\/strong>Dies Bildnis ist bezaubernd sch\u00f6n [Die Zauberfl\u00f6te]
\n\u2022 G. Faur\u00e9<\/strong> Apr\u00e8s un r\u00eave
\n\u2022 U. Giordano<\/strong> Come un bel di di maggio [Andrea Ch\u00e9nier]
\n\u2022 Du Nam Cho<\/strong> Baetnorae(Boat Song)
\nFinal Round<\/strong>
\n\u2022 G. Donizetti<\/strong> Tombe degli avi miei.. [Lucia di Lammermoor]
\n\u2022 G. Donizetti<\/strong> Ah! Mes amis [La Fille du R\u00e9giment]
\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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