{"id":102014,"date":"2021-12-08T14:22:21","date_gmt":"2021-12-08T14:22:21","guid":{"rendered":"http:\/\/seoulcompetition.com\/en\/?page_id=102014"},"modified":"2022-01-23T08:32:09","modified_gmt":"2022-01-23T08:32:09","slug":"repertoire-2019","status":"publish","type":"page","link":"http:\/\/seoulcompetition.com\/en\/repertoire-2019\/","title":{"rendered":"Repertoire 2019"},"content":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”102257″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ shape_top_color=”color-wayh” shape_top_opacity=”25″ shape_top_index=”0″ row_name=”Welcome” uncode_shortcode_id=”154704″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette” shape_top_color_type=”uncode-palette” row_height_pixel=”120″][vc_column column_width_use_pixel=”yes” position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_font=”font-136269″ text_size=”fontsize-155944″ text_weight=”400″ text_space=”fontspace-781688″ sub_lead=”yes” sub_reduced=”yes” uncode_shortcode_id=”160204″ subheading=”Repertoire”]2019 Voice[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”204748″][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”168216″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”140758″][vc_column_text uncode_shortcode_id=”207023″]All Competition competitors must prepare
\n1. Three art songs in three different languages<\/strong><\/p>\n

\n
\u2460 Two art songs of the competitor\u2019s choice<\/div>\n
\u2461 One Korean art song chosen from the following list. The song should be sung in Korea.(Semifinalists must sing one of the following pieces. The music score will be sent out to the competitors who pass the Preliminary Round by December 31, 2018)<\/div>\n<\/div>\n
\u25b7 Female:<\/div>\n
\u2022 Gang Geonneo Bomi Odeut(Spring Approaches from across the River) by Geung Soo Lim,
\n\u2022 Gopunguisang(Traditional Attire) by Isang Yun,
\n\u2022 Bimok(Wooden Cross at an unknown Soldier\u2019s Grave) by Ihl Nam Chang,
\n\u2022 Sin Arirang(New Arirang) by Dong Jin Kim,
\n\u2022 Chueok(Memories) by Soung Tai Kim<\/div>\n
\u25b7 Male:<\/div>\n
\u2022 Gidarineun Maeum(A Longing Heart) by Ihl Nam Chang,
\n\u2022 Baetnorae(Boat Song) by Du Nam Cho,
\n\u2022 Sanchon(Mountain Village) by Du Nam Cho,
\n\u2022 Seonguja(Pioneer) by Du Nam Cho,
\n\u2022 Cheongsane Sallira(To Live in the Green Mountains) by Yeon Jun Kim<\/div>\n

2. Seven opera arias in at least three different languages<\/strong><\/p>\n

\n
\u2460 Six opera arias of the competitor\u2019s choice<\/div>\n
\u2461 One opera aria from Baroque period to W. A. Mozart<\/div>\n<\/div>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”161233″][FIRST ROUND]<\/strong><\/p>\n

\u2460 One art song
\n\u2461 One opera aria<\/div>\n

[SECOND ROUND]<\/strong><\/p>\n

\u2460 Two opera arias<\/div>\n

[SEMIFINAL ROUND]<\/strong><\/p>\n

\n
\u2460 Two art songs (One of the Korean art songs listed above must be included)<\/div>\n
\u2461 Two opera arias (One opera aria from Baroque period to W. A. Mozart must be included)<\/div>\n<\/div>\n

[FINAL ROUND]<\/strong><\/p>\n

\n
\u2460 Two opera arias with the orchestra
\nCompetitor will choose one opera aria of the competitor\u2019s choice and the jury will assign one opera aria from the repertoire list you submitted to Secretariat of the competition.<\/div>\n<\/div>\n

[NOTICE]<\/strong><\/p>\n

1. No work can be repeated during the First, Second, Semifinal, and Final Rounds. Only an opera aria assigned by the Jury for the Final Round may be a repetition of works performed in a previous round.<\/div>\n
2. All works must be performed from memory.<\/div>\n
3. All works must be performed in their original languages. Key changes are not permitted in opera arias.<\/div>\n
4. All opera arias containing \u201crecitative\u201d and \u201ccabaletta\u201d must be sung in their entirety.<\/div>\n
5. For all rounds, the order of the works for performance will be decided by the competitors.<\/div>\n
6. Changes in the submitted repertoire of all rounds may be made only with the permission of the Secretariat. Competitors must notify the Secretariat of any changes in writing no later than January 11, 2019.<\/strong><\/div>\n
7. Every round of the competition is open to the public.<\/div>\n

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