{"id":101950,"date":"2021-12-06T15:22:30","date_gmt":"2021-12-06T15:22:30","guid":{"rendered":"http:\/\/seoulcompetition.com\/en\/?page_id=101950"},"modified":"2022-03-14T07:17:38","modified_gmt":"2022-03-14T07:17:38","slug":"repertoire-2020","status":"publish","type":"page","link":"http:\/\/seoulcompetition.com\/en\/repertoire-2020\/","title":{"rendered":"Repertoire 2020"},"content":{"rendered":"

[vc_row row_height_percent=”20″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”3″ back_color=”color-wayh” back_image=”103608″ back_position=”center center” overlay_color=”color-jevc” overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”gradient” shape_top_h_use_pixel=”true” shape_top_height_percent=”100″ shape_top_color=”color-wayh” shape_top_opacity=”25″ shape_top_index=”0″ row_name=”Welcome” uncode_shortcode_id=”143618″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette” shape_top_color_type=”uncode-palette” row_height_pixel=”120″ shape_dividers=””][vc_column column_width_use_pixel=”yes” position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_font=”font-136269″ text_size=”fontsize-155944″ text_weight=”400″ text_space=”fontspace-781688″ sub_lead=”yes” sub_reduced=”yes” uncode_shortcode_id=”131718″ subheading=”Repertoire”]2020 Piano[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”204748″][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”1″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”182837″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”140758″][vc_column_text uncode_shortcode_id=”145891″][FIRST ROUND]<\/strong><\/p>\n

Performances must be a minimum of 25 minutes to a maximum of 30 minutes in duration, consisting of works selected freely by the contestant.<\/div>\n

[SECOND ROUND]<\/strong><\/p>\n

Performances must be a minimum of 40 minutes to a maximum of 45 minutes in duration, consisting of works selected freely by the contestant. However, the selections must include the contestant\u2019s choice of one of the sonatas by Beethoven. No works from the 1st<\/sup> Round may be repeated.<\/div>\n

[SEMIFINAL ROUND]<\/strong><\/p>\n

Performances must be a minimum of 40 minutes to a maximum of 45 minutes in duration, consisting of works selected freely by contestant. No works from the previous rounds may be repeated.<\/div>\n

[FINAL ROUND]<\/strong><\/p>\n

Competitors must perform one of the following concertos with the orchestra.<\/div>\n

[\/vc_column_text][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”723241″ css=”.vc_custom_1637423177266{padding-right: 200px !important;}”][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”431046″ css=”.vc_custom_1638804753457{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
W. A. Mozart<\/td>\nConcerto<\/td>\nNo. 9 in E-flat major, KV271<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 20 in D minor, KV466<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 21 in C major, KV467<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 22 in E-flat major, KV482<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 23 in A major, KV488<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 24 in C minor, KV491<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 25 in C major, KV503<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 26 in D major, KV537<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 27 in B-flat major, KV595<\/td>\n<\/tr>\n
L. v. Beethoven<\/td>\n\u3003<\/td>\nNo. 1 in C major, Op.15<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in B-flat major, Op.19<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in C minor, Op.37<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 4 in G major, Op.58<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 5 in E-flat major, Op.73<\/td>\n<\/tr>\n
F. Chopin<\/td>\n\u3003<\/td>\nNo. 1 in E minor, Op.11<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in F minor, Op.21<\/td>\n<\/tr>\n
R. Schumann<\/td>\n\u3003<\/td>\nin A minor, Op.54<\/td>\n<\/tr>\n
Liszt<\/td>\n\u3003<\/td>\nNo. 1 in E-flat major<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in A major<\/td>\n<\/tr>\n
Brahms<\/td>\n\u3003<\/td>\nNo. 1 in D minor, Op.15<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in B-flat major, Op.83<\/td>\n<\/tr>\n
Saint-Sa\u00ebns<\/td>\n\u3003<\/td>\nNo. 2 in G minor, Op.22<\/td>\n<\/tr>\n
Tchaikovsky<\/td>\n\u3003<\/td>\nNo. 1 in B-flat minor, Op.23<\/td>\n<\/tr>\n
Rachmaninov<\/td>\n\u3003<\/td>\nNo. 2 in C minor, Op.18<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in D minor, Op.30<\/td>\n<\/tr>\n
<\/td>\nRhapsody on a Theme of Paganini, Op.43<\/td>\n<\/tr>\n
Ravel<\/span><\/td>\nConcerto<\/td>\nin G major<\/td>\n<\/tr>\n
Prokofiev<\/td>\n\u3003<\/td>\nNo. 2 in G minor, Op.16<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in C major, Op.26<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”170937″][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”431046″ css=”.vc_custom_1638804753457{padding-left: 10px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
W. A. Mozart<\/td>\nConcerto<\/td>\nNo. 9 in E-flat major, KV271<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 20 in D minor, KV466<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 21 in C major, KV467<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 22 in E-flat major, KV482<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 23 in A major, KV488<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 24 in C minor, KV491<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 25 in C major, KV503<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 26 in D major, KV537<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 27 in B-flat major, KV595<\/td>\n<\/tr>\n
L. v. Beethoven<\/td>\n\u3003<\/td>\nNo. 1 in C major, Op.15<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in B-flat major, Op.19<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in C minor, Op.37<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 4 in G major, Op.58<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 5 in E-flat major, Op.73<\/td>\n<\/tr>\n
F. Chopin<\/td>\n\u3003<\/td>\nNo. 1 in E minor, Op.11<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in F minor, Op.21<\/td>\n<\/tr>\n
R. Schumann<\/td>\n\u3003<\/td>\nin A minor, Op.54<\/td>\n<\/tr>\n
Liszt<\/td>\n\u3003<\/td>\nNo. 1 in E-flat major<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in A major<\/td>\n<\/tr>\n
Brahms<\/td>\n\u3003<\/td>\nNo. 1 in D minor, Op.15<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 2 in B-flat major, Op.83<\/td>\n<\/tr>\n
Saint-Sa\u00ebns<\/td>\n\u3003<\/td>\nNo. 2 in G minor, Op.22<\/td>\n<\/tr>\n
Tchaikovsky<\/td>\n\u3003<\/td>\nNo. 1 in B-flat minor, Op.23<\/td>\n<\/tr>\n
Rachmaninov<\/td>\n\u3003<\/td>\nNo. 2 in C minor, Op.18<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in D minor, Op.30<\/td>\n<\/tr>\n
<\/td>\nRhapsody on a Theme of Paganini, Op.43<\/td>\n<\/tr>\n
Ravel<\/span><\/td>\nConcerto<\/td>\nin G major<\/td>\n<\/tr>\n
Prokofiev<\/td>\n\u3003<\/td>\nNo. 2 in G minor, Op.16<\/td>\n<\/tr>\n
<\/td>\n\u3003<\/td>\nNo. 3 in C major, Op.26<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=”870912″ css=”.vc_custom_1638806479315{padding-left: 10px !important;}”][NOTICE]<\/strong><\/p>\n

1. No work can be repeated during the First, Second, Semifinal, and Final Rounds.<\/div>\n
2. All works must be performed from memory, with the exception of the chamber music.<\/div>\n
3. Repeats will be left to the discretion of the candidate.<\/div>\n
4. Changes in the submitted repertoire of all rounds may be made only with the permission of the Secretariat. Competitors must notify the Secretariat of any changes in writing no later than February 7, 2020.<\/strong><\/div>\n
5. For all rounds, the order of the works for performance will be decided by the competitors.<\/div>\n
6. Performance time limit will be strictly observed. Performances which exceed the specified time limit may be interrupted by the Jury.<\/div>\n
7. Every round of the competition is open to the public.<\/div>\n

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